Director: Barbara Vey and Vincent Sorrel.
This portrait of a film director unlike any other attempts to capture the essence of Vittorio de Seta’s rapport with the humble people he filmed and elegantly brought to Cinema Scope’s big screen in color from the 1950s onwards. From his home in Calabria, the film director looks back over his epic films. Starting with the sound on his earliest short documentaries, this craftsman of the screen and pioneer of sound tells us how he went on small fishing boats catching swordfish, to the depths of sulfur mines and to the top of Mount Stromboli to film and record. Then, evoking his feature-length films such as “Diary of a Schoolteacher”, “Half a Man” and “Bandits of Orgosolo”, Vittorio de Seta explains how filming other people also involves a certain amount of soul searching.

Director: Catalina Santamaria.
Luminescence is a poetically inspired experimental film about light – as mirror, as metaphor, as self-reflection, as shadow, as heat, as the ethereal wave particles of optics and physics – and ultimately, as pure energy - shimmering, glowing and flickering.

Director: Václav Marhoul.
There is only a very thin line between heroism and cowardice. Courage is the will power, which no man has enough to spare. If used, it is soon exhausted. Courage is the capital, which we spend gradually. Thus, the last order may be the order to pay out the account drawing to zero. The deepest fear rises when a man is floundered by a current, all alone, having nothing to hold on and not being able to cope. This is the main topic and the artistic motto of this wartime psychological drama. North Africa, II. WW, Fall 1941. Jiri Pospichal, twenty years old, signs up as a volunteer in the Czechoslovak army. His naive ideas about heroism are rawly confronted with the hell of the African desert, complicated relationships in his unit and the ubiquitous threat of death. All this takes its cruel toll in the shape of his gradual loss of self respect and courage. He is full of self-confidence and patriotic ideals, yet at the same time is deeply frustrated by his father, whom he views as a collaborator. His closest companion is a Jewish soldier, Jan Lieberman, in many ways more mature. Their opposite, in turn, is Corporal Kohák, a former member of the French Foreign Legion, for whom warfare is above all a profession The psychological drama between these three characters, the differing attitudes and personalities of each of them, are, during the course of the story and most clearly in its dramatic climax, brought into confrontation with a clear and harsh test of the moral character of all. The plot of the film is freely based on the classic American novel “The Red Badge of Courage” by Stephen Crane, first published in New York in 1897.