Highlights include Coffee with Oscar®-winner Vilmos Zsigmond; and a Panel on Shooting Low-Budget Features on Film
Kodak will once again give its full support to the independent filmmaking community at the Slamdance and Sundance Film Festivals, which will run concurrently in Park City, Utah, beginning January 20.
Kodak will present an extended Q&A with Oscar®-winning cinematographer Vilmos Zsigmond, ASC and producer Jack Robinette following the screening of the...
I was the filmmaking volunteer for the first ever edition of the Zipangu Fest and attended every single event. The Fest opened with a collaboration with Close-Up (film library - http://www.closeupfilmcentre.com/) - Nippon Year Zero. A programme focused on Japanese 60's and 70's experimental shorts: War GamesDir. Donald Richie, 1962, 22min, 16mm Sparse and lingering - an interesting study of innocence and the essence of civilization. Dead YouthDir. Donald Richie, 19...
Director: PABLO ORTEGA.
What would you do if your life is centred around a relationship where your partner has forgotten why you are together?
You are welcome to submit. MONO NO AWARE is open to any person or group of persons making work incorporating Super8 or 16mm film format as part of that presentation. For example: blending film & theater performance, musicians creating a visual experience for their sound, & experimental filmmakers working with story tellers. Entries will only be accepted on Super8 or 16mm film. FILM ONLY. No Digital Video.
Part of our purpose in having this gathering is to put an emphasis on the cinematic experience. Film & video are so easily accessible, you can watch something on a website, television, a home projector, or even your cell phone. For some filmmakers those vehicles are copies of the original artwork, each one degraded by its format. We believe there is a magic in seeing the film as a print. There is a presence a poet has reading his/her own writing. There is a feeling that resonates in your chest when you see a band live. For these reasons we are encouraging live music, performance, and audio to expand the cinematic experience beyond the screen. We ask that in the spirit of the festival you not video or create copies of your performance. Some participants have gone as far as to destroy the work after its first run at the event.
Embrace the film medium. Cut & splice found footage you picked up at a yard sale. Take all your unused footage from an old project and create something new with the unused scenes. Spend 50 bucks to shoot & process 100 feet of 16mm & make a 3 minute masterpiece with a friend's Bolex. Paint on the film surface. Go on eBay and pick up a dozen old reels for ten bucks. Run 10 projectors at once on a single screen. Splice, dice, paste, shoot, and do it all over again. Create visual poetry, colorful abstractions, a comedic narrative, a cinematic comet that will light up the space for several minutes and live in the minds of those there to see it in its pure state. While it's there, fill the audience's ears with a score nothing short of sonorous.
Director: Ted Campbell.
Sarah Miller is a young and talented photographer dealing with the recent death of her estranged father. As she attempts to understand the meaning behind a reoccurring nightmare, her father's image begins to appear in her photographs.
Director: Talal Khoury.
The film is an illustration of a poem. It’s about a man who was struggling to remain decent. Gradually, he started to fall apart and to loose hope.
This film shows the contradictions of the human being and the combination that exist between tenderness and violence.
Transferring home movies to DVD went mainstream with the airing of "Soprano Home Movies," Episode 78 of Season 6, and just in time, iMemories' upcoming Home Movie Film Festival April 13th, 14th and 15th will give families a chance to screen their own old-format home movies. In probably one of the first times such a topic played a central role in a television episode, character Janice gives Tony, the mob boss, a birthday gift of his old childhood Super 8 home movies that have been transferred to ...
*Produced and realized as a University Project, Amnesia has been achieved with a very low budget, under a thousand dollar (CAN$), and with very few technical means...
Shot on 16mm film (500ft), and edited on a Steenbeck, the camera that were used for the shooting were two 16mm Bolex, with 2 lenses, one 10mm and one Zoom lens. Aspect Ratio 4:3, Running Time 7min.
We are actually looking for people interested to buy or promote the visibility of the film for festivals entry, etc...
For More D...
*Produced and realized as a School Project, Amnesia has been achieved with a very low budget, under a thousand dollar (CAN$), and with very few technical means. Shot on 16mm film, the camera that we used for the shooting was a 16mm Bolex, with 2 lenses, one 10mm and one Zoom lens. Aspect Ratio 4:3, Running Time 7min.
We are actually looking for people interested to buy or promote the visibility of the film for festi