An overview of 15 important cinema related programs (In conversation, Masterclasses and Panel discussions) to be organized during 55th International Film Festival of India IFFI Goa 2024 by film critic Lalit Rao (FIPRESCI) dated 14.11.2024
At film festivals, cinéphiles gain invaluable insights from conversations, masterclasses, and panel discussions that deepen their understanding of cinema. These events provide them unfettered access to filmmakers, critics, and...
18th MIFF 2024 showcased an impressive global diversity with 314 films from 59 countries, representing 61 languages. This broad cultural representation not only emphasized MIFF’s role as a hub for international exchange but also highlighted the power of documentary and short films in connecting people across cultures. By including films from countries such as Russia, Japan, and Mali, MIFF positioned itself as a bridge for cross-cultural storytelling, encouraging mutual u...
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On 2nd March 2024, after having watched Indian maestro Mrinal Sen’s critically acclaimed film ‘‘Kharij’’ [1982] on Screen 9 of PVR Cinema during 15th Bangalore International Film Festival 2024, Haobam Paban Kumar sat together with film critic Lalit Rao (FIPRESCI) to talk about the theme of disappearance in his latest film ‘Joseph’s Son’ [2023]&n...
Interview with Indian director Leslie Carvalho by film critic Lalit Rao (FIPRESCI) dated 01.03.2024
Leslie Carvalho is a multifaceted personality of Indian independent cinema. Apart from being a filmmaker, Leslie also happens to be a professional Tennis coach, German language teacher, painter and a book writer. He has been on India’s national jury for choosing films for ‘Indian Panorama’ section of India’s most prestigious film festival ‘IFFI’. He ha...
Review of American film ‘‘Killers of the Flower Moon’’ (2023) directed by Martin Scorcese by film critic © Lalit Rao (FIPRESCI) 01/11/2023
‘‘Killers of the Flower Moon’’ (2023) is certainly not the best film of Martin Scorcese's career nor his best film in last 10 years.
What happens when a new film by an acclaimed director is released in cinemas? Let us analyze some common possi...
FIPRESCI’s Top Ten Indian films of all time includes two Satyajit Ray movies
FIPRESCI-India (India chapter of the International Federation of Film Critics:
FIPRESCI) conducted a secret poll for making a list of the All Time Ten Best Indian
Films. 30 Members of FIPRESCI-India voted in confidence and on the basis of
maximum number of votes polled in favour of the films the following list was
declared officially:
ALL TIME TEN BEST INDIAN FILMS:
1. Pather Panchali (Song of the Littl...
Incomparable Shachin Dev Burman: HQ Chowdhury’s labour of love, about the man and his music
It is not often that one gets to hear about a book and its author first, and gets to spend some enriching time with the author afterwards, before getting an autographed copy of his book, as a gift. And to think this happened 2,500 km away from my city of Mumbai, in the capital of Bangladesh, Dhaka, at Chowdhury’s posh guest house, seems almost unreal. Reading Incomparable Sachin Dev Burman ...
IFFI 52, 051: Towards better IFFIs
What makes a good international film festival?
Some criteria.
Good international films
Good Indian films
Good scheduling
Good international participation
Good fringe events
Good ‘festival’/festivities
Good venues, with good projection
Good budget
Good (long-term) independent directors and heads of departments
Good and early planning
Quality of films selected is a reflection of the ...
Life in Metaphors-Portraits of Girish Kasaravalli, by O.P. Srivastava: Well framed!
A banker with a passion of cinema, Om Prakash Srivastava hung up his ATM to pursue his dream. In 2012, he attended a course in Film Appreciation at Goa, organised by the Film and Television Institute of India (FTII), where an ex alumnus and India’s most decorated film-maker, Girish Kasaravalli was taking a master class on film-making. OP was so impressed with the demeanour and erudition of his teacher an...
Mumbai Film Festival: Pot luck and glam game
MFF, run by Mumbai Academy of Moving Image (MAMI), is among four Indian film festivals recognised by FIAPF ((Fédération Internationale des Associations de Producteurs de Films/International Federation of Film Producers Associations), which is based in Paris and has its Secretariat in Brussels. International Film Festival of India (IFFI, Goa) is the only one recognised as certified for International Competition. Kolkata and Thiruvanant...
Interest in wine and wine making has always fascinated humanity since olden times. However, this fascination has taken a completely new turn in contemporary times especially in an international market governed by numerous socio-economic concerns. This is one reason why there is always room for news as well as ‘works of art’ about anything related to wine. One can quote China's acquisition of 100 Bordeaux chateaux as a recent example. It can be stated that Asia’s dominance...
“Yesterday’s films for tomorrow” by P.K.Nair = An indispensable book for anybody who considers cinema as an art form which needs to be preserved at all costs.
© Mr.Lalit Rao (FIPRESCI)
“Yesterday’s films for tomorrow” has been penned by one of world’s foremost authority on film archiv...
The world of cinema is full of surprises. One needs to learn the intricacies involved with this art in order to transform words into images. Hence, it is not so often that an ordinary layman can think of embarking on a creative journey in order to become a filmmaker merely by watching some good Iranian and Turkish films shown at film festivals. However, Bijukumar Damodaran is a very strong exception to this rule. In his native Kerala, South India, he is more commonly known as Dr.Biju. &n...
The International Federation of Film Critics (FIPRESCI) grants its Grand Prix for Best Film of the Year to La Vie d’Adèle – Chapitre 1&2, directed by Abdellatif Kechiche.. The award is the result of the votes cast by 245 critics worldwide, members of FIPRESCI, for titles premiered during the previous twelve months.
The prize will be awarded to the director of the film, Abdellatif Kechiche and its producer, Brahim Chioua, at the opening gala of the 61st edition of the Sa...
Toronto – The Toronto International Film Festival® announced its international juries for 2013. For the 22nd consecutive year, the Festival welcomes a FIPRESCI jury, comprised of six members from the International Federation of Film Critics. The Festival also announced that for the second consecutive year it will host a NETPAC jury, made up of three members of the Network for the Promotion of Asian Cinema.
The FIPRESCI jury will award the Prize of the International Critics for...
At the Locarno International Film Festival (Switzerland, August 7-17, 2013), the Prize of the International Critics (FIPRESCI PRIZE went to:
"What Now? Remind Me" (E agora? Lembra-me)
by Joaquim Pinto (Portugal, 2013),
shown in the International Competition.
"The Portuguese director chronicles a year in his life trialling HIV drugs, and spreads his net ambitiously wider for a m...
With the start of the season's first major film event, the Montreal World Film Festival on Thursday, September 26, an announcement comes from Quebec about the makeup of the 8 member delegation of the International Film Critics jury, members of the The International Federation of Film Critics (FIPRESCI). The critics organization continues to
have an important presence in Montreal, with an impressive delegation of international journalists.
FIPRESCI JURY MEMBERS FOR MONTREAL WORLD F...