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Lalit Rao


Mr. Lalit Rao is a veteran film critic as well as a French technical translator and interpreter from Jaipur, India. He is currently writing a book on 25 best French films (1990-2015). Since April 2013, he is the member of the prestigious film critics’ organization FIPRESCI. Apart from ‘‘World Cinema’’, he is interested in chess, foreign languages, linguistics and philosophy. As a film critic, he regularly posts about cinema on social networks namely Facebook, Linkedin and Twitter. He is also the associate editor of the quarterly magazine ‘‘Cinematography Art’’ published from New Delhi, India.

Mr. Lalit Rao has reported extensively on French language, philosophy and film festivals especially ‘‘World Cinema’’ through more than 40 blogs and 8 video channels. In 2008, he launched Cinema-poet 2008, his first YouTube channel about ‘‘World Cinema’’. In 2013, Mr. Lalit Rao launched his second YouTube channel called ‘Indian talkies 1913’ (Videos about Indian Cinema) to promote Indian cinema. It is on these two channels that he regularly uploads videos related to ‘‘Indian Cinema’’ and ‘‘World Cinema’’.

https://www.youtube.com/@cinemapoet2008/videos

https://www.youtube.com/@indiantalkies1913/videos

One of India’s famous cinema journals ‘‘Deep Focus’’, and ‘‘Bangalore Film Society’’ were represented by him as their correspondent in Paris, France for 2005-2006. He also presented a paper on Canadian cinema entitled ‘‘A brief overview of Francophone cinema in Québec’’ during 20th International Conference on Canadian Studies, University of Rajasthan, Jaipur, 27-29 February, 2004. Apart from writing 1000 reviews on IMDB, it was in 1996 that Mr. Lalit Rao created ‘‘KINEMA’’, a database with information on 25,000 films from all over the world.

His articles in French and English have appeared in magazines and websites such as Deep Focus, Filmfestivals.com Blog, Kinoglaz, Objectif-Cinema, Sancho Does Asia and Séquences.

As a film critic, Mr. Lalit Rao has participated thrice in BBC polls to determine : a) 100 greatest foreign language films, b) 100 greatest films directed by women and c) 100 greatest comedies of all time. In April 2022, Mr. Lalit Rao was nominated as a jury member (short films) by Italian cinema and theater critic Ms.Paola Dei for 4th edition of Bulli Ed Eroi Concorsco Bellezza 2022 held in Sienna, Italy.  In March 2022, Mr. Lalit Rao participated in 13th Bangalore International Film Festival 2022 (3-10th March, 2022) as a member of the prestigious FIPRESCI jury. His assignment included watching 12 Asian films in order to give the award to the best film.

On 30/09/2021, Mr.Lalit Rao gave a message of congratulations to Iranian children on  the occasion of National Children’s Week held in Iran from October 8 to 14, 2021. In February 2017, he participated as a jury member (Kannada Cinema) during 9th Bangalore International Film Festival 2017.In 2014, he attended 19th International Film Festival of Kerala 2014 as a member of FIPRESCI jury (Malayalam Cinema).

Mr. Lalit Rao studied Master 2 at Université de Paris 3 Sorbonne Nouvelle, Paris where he worked on ‘Distribution of Indian cinema’ in France. As a film critic, Mr. Lalit Rao has attended numerous film festivals in France and India !!

 


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‘‘Killers of the Flower Moon’’ is certainly not the best film of Martin Scorcese's career nor his best film in last 10 years !!!

Review of American film ‘‘Killers of the Flower Moon’’ (2023) directed by Martin Scorcese by film critic © Lalit Rao (FIPRESCI) 01/11/2023 
 
‘‘Killers of the Flower Moon’’ (2023) is certainly not the best film of Martin Scorcese's career nor his best film in last 10 years. 
 
 
What happens when a new film by an acclaimed director is released in cinemas? Let us analyze some common possibilities. If it is exceptionally phenomenal then many ardent cinéphiles might decide to watch it again either the same day or within the same week. However, if the film in question happens to be just good or plain average then it can be surmised that audiences make up their minds to watch it on TV. This is something that viewers would definitely feel when they go to see ‘‘Killers of the Flower Moon’’ (2023) in cinemas. This is a comprehensive feature film about the selfish, one-sided relationship of the white America with its natives. It is based on the bestselling book ‘‘Killers of the Flower Moon : The Osage Murders and the Birth of the FBI’’ (2017) by American journalist David Grann.
 
From a critical perspective, ‘‘Killers of the Flower Moon’’ is certainly not the best film of Martin Scorcese's career nor his best film in last 10 years. Some of the films that he directed in the last decade namely ‘‘The Wolf of Wall Street’’ (2013), ‘‘Silence’’ (2016) and ‘‘The Irishman’’ (2019) were all just good films. One of its major drawbacks is related to its subplot as despite its long runtime of 206 minutes, it appears as if the love story between Ernest Burkhart (Leonardo Di Caprio) and Mollie Kyle (Lily Gladstone) hasn't been developed fully. In the absence of any major wow factor, there are moments when solely Rodrigo Prieto's camerawork emerges as the solitary wow factor of the film. 
 
It is hard to pigeonhole ‘‘Killers of the Flower Moon’’ as it is neither an authentic thriller in the purest sense of the word, nor a love story about the senseless homicides of Osage people. Furthermore, it is neither a documentary film about Osage people. It is just a satisfactory film for the admirers of 3 important personalities of American cinema namely Mr.Leonardo di Caprio, Mr. Robert De Niro and Mr. Martin Scorcese.
 
 
Just like ‘Black lives matter’ movement of the contemporary times, many of us wish that in the past ‘‘Osage lives do matter more than anything else’’ should have gathered momentum all over the USA. However, this was not the case as during the so-called ‘‘Reign of terror’’ a total of 24 ghastly murders were committed. The situation went out of control to such a large extent that FBI had to get involved to unearth one of the most hideous conspiracies of American history. 
There is one strong reason to believe that erudite viewers all over the world would remember ‘Killers of the Flower moon’’ as the first mainstream Hollywood film that spoke candidly about the Osage tragedy. In this film, prejudice towards Osage people is very evident. In his long, illustrious career as a maverick auteur, American director Mr. Martin Scorcese has helmed many offbeat films based on esoteric topics. His new film is about a love story, greed and murders of the innocent Osage people.
 
 
To conclude, it can be said that after watching this film, cinema enthusiasts will learn that through the love story of Ernest Burkhart and Mollie Kyle, Mr.Scorcese attempted to familiarize viewers with troubled times of 1920s Oklahoma, USA when Osage Indians of Oklahoma were killed by cunning White people as they were quite simply the richest people in USA.      
 

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About Lalit Rao

RAO Lalit

Mr. Lalit Rao (member-FIPRESCI) writes for this website on a regular basis as a film critic publishing reviews on his profile

In February 2017, he participated as jury member during  9th Bangalore International Film Festival 2017.

In 2014, he attended 19th International Film Festival of Kerala 2014 as a member of film critics’ jury.

As a film critic, Mr.Lalit Rao has attended film festivals in India as well as France namely International Film Festival of India (IFFI), International Film Festival of Kerala (IFFK), Festival International de Films de Femmes de Créteil, Paris : Cinéma du Réel-Festival International de films documentaires, Est-ce ainsi que les hommes vivent? Saint-Denis, Rencontres Internationales du Cinéma de Patrimoine, Vincennes & Festival International des Cinémas d'Asie, Vesoul. 


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