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Martin Scorsese Masterclass in Cannes

 

 

 

Pascal Greggory

Positively A Place To Be!

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  Don’t miss Club Positif’s monthly event this December at Le Grand Action! Tuesday, the 22nd of December at 8pm, Le Grand Action will be holding its monthly débat animé, this month lead by Pierre Eisenreich from Club Positif. Each month Club Positif shows a selected film and holds a discussion after the screening. The film of choice for this month: Gabrielle starring Isabelle Huppert and Pascal Greggory. In this film-adaptation of Joseph Conrad’s novel “The Retu...

The Band Sails on in Mannheim

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The second Gala Opening of the 57th Mannheim-Heidelberg Film Festival took place on 7th November 2008, in the mother-ship, so to say.Even more crowds massed for the premiere of Helma Sanders-Brahms's (surely some relation) elegant menage `a trois  Clara (original title Geliebte Clara), an opulent opus on the turbulent amours 'twixt the  troubled Schumanns (energetically brought to life by Martina Gedeck and French star Pascal Greggory) and their younger protege Johannes Brahms (an intrigui...

The Band Sails on in Mannheim

user
The second Gala Opening of the 57th Mannheim-Heidelberg Film Festival took place on 7th November 2008, in the mother-ship, so to say.Even more crowds massed for the premiere of Helma Sanders-Brahms's (surely some relation) elegant menage `a trois Clara (original title Geliebte Clara), an opulent opus on the turbulent amours 'twixt the troubled Schumanns (energetically brought to life by Martina Gedeck and French star Pascal Greggory) and their younger protege Johannes Brahms (an intriguingly c...

Geliebte Clara

Pascal Greggory (Robert Schumann) at the Mannheim Festival Talk Show after the premiere of GELIEBTE CLARA

Venice Roars On

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Patrice Chereau’s Gabrielle based on The Return by Joseph Conrad is the story about an upper class woman, Gabrielle (Isabelle Hubert), who writes a letter to her husband that she is leaving him for another man. She later returns home to her husband Jean (Pascal Greggory)the same day. The decision to project letters and plot developments onscreen as mega texts is one of the problems of Chereau’s film. The other is the cinematography by Eric Gautier who tries to enhance the story with more vi...

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