Director: Bryan Darling.
Within a few hours, one couple ends and another begins. Adam is leaving Trent, ending their dysfunctional relationship. Jordan, a mover and recent San Francisco transplant, crosses paths with their roommate Spencer. Their intense connection is questioned as they watch the disintegration of Adam and Trent. Who leads when four men come together?

Director: Václav Marhoul.
There is only a very thin line between heroism and cowardice. Courage is the will power, which no man has enough to spare. If used, it is soon exhausted. Courage is the capital, which we spend gradually. Thus, the last order may be the order to pay out the account drawing to zero. The deepest fear rises when a man is floundered by a current, all alone, having nothing to hold on and not being able to cope. This is the main topic and the artistic motto of this wartime psychological drama. North Africa, II. WW, Fall 1941. Jiri Pospichal, twenty years old, signs up as a volunteer in the Czechoslovak army. His naive ideas about heroism are rawly confronted with the hell of the African desert, complicated relationships in his unit and the ubiquitous threat of death. All this takes its cruel toll in the shape of his gradual loss of self respect and courage. He is full of self-confidence and patriotic ideals, yet at the same time is deeply frustrated by his father, whom he views as a collaborator. His closest companion is a Jewish soldier, Jan Lieberman, in many ways more mature. Their opposite, in turn, is Corporal Kohák, a former member of the French Foreign Legion, for whom warfare is above all a profession The psychological drama between these three characters, the differing attitudes and personalities of each of them, are, during the course of the story and most clearly in its dramatic climax, brought into confrontation with a clear and harsh test of the moral character of all. The plot of the film is freely based on the classic American novel “The Red Badge of Courage” by Stephen Crane, first published in New York in 1897.

Director: Szilárd Matusik, Gábor Csépai.
Moleman is a documentary diary about the independent subcultures of a bustling Central European capital, Budapest. Under the cultural surface of the metropolis lies a flourishing art life, and alternative recreational activities are available. There are many who do not follow the mainstream taste, and do not fall for the temptation of the commercial media. The originators of Budapest’s subcultures and their audience represent hundreds of thousands of people. These subcultures and artists should not be underrated or disregarded. Moleman chooses five characters from this world, and allows us to peek through their eyes into a culture and lifestyle that lie out of the realm of celebrities, that is other than Pop Idol or the soap opera „Between Friends” or the pop band Hooligans. But it exists, creates works and is taking shape.

Director: Craig Ford.
You would be forgiven for thinking that the shooting of Horror Bill was just like any other film shoot. Attention seeking actors, power mad Assistant directors, dodgy equipment. But when the actors start to die in a series of unusual ‘accidents’ we discover there are more sinister things going on here. Who is the Director? Why have only the Assistant Director and the deranged Production assistant met him? What’s really killing off the cast? Are they really accidents? How come the special effects look so good on this small budget horror? The answers to these questions all point to one sinister conclusion….One too terrible to mention here! All we can tell you is that Horror Bill is a very ‘Dark Film’!

Director: Johan A Kruger.

A black comedy that explores an accountant's reaction to his new Dominatrix Boss and the methods she employs to keep all her desk bound office zombies in line. His morals and sanity are pushed beyond breaking point.

 

Cast
Jacob - Jonathan Baker
Demon Dom - Sara Dee
Cheryl - Nikki Michelle Chowen
Jerry / Zombie 1 - geoffrey troth
Receptionist / Scissor Zombie - Ice Wilderose
Dom's Pet - Angela Dee
Stephen - Craig Hamblyn
Salesman 1 / Zombie 2 - Yazid Eid
Salesman 2 / Zombie 3 - Mac Laubscher
TEMP - Tabatha St. Vincent
Diva Zombie - Juliana Reed
Stapler Zombie / Zombie6 - Christopher Davies
Mail Lady - Teresa Garratty
Juggling Zombie /Zombie5 - Oihana Garde
Zombie 7 - Michaelle St. Vincent
Zombie 8 - Derek Elmore
Zombie 9 - Elizabeth Bloom
Zombie 10 - Michael Wooller
Zombie 11 - Victoria Jane Oliver
Zombie 12 - Cullum Austin
Zombie 13 - Sarah Jane O'Neill
Zombie 14 - Gil Martin
Zombie 15 - Lulu Elliot
Zombie 16 - Karen Kangro Crew
Writer / Director - Johan Kruger
Director of photography - Joel Chu
Assistant Director - Angela Dee
2ND A.D - Karen Kangro

Producer - Johan Kruger
Associate Producer - Joel Chu
Assistant Producer - Angela Dee

Production Assistant - Steve Outram
Sound - Andres Montaña Duret
Secondary unit sound - Kota Iso
Boom - Chris Presswell
Key Grip - Gil Martin
Runner - Sarah Kok, Sarah Pemberton

Artistic Director - Lulu Elliot
Lead Make-up - Robb Crafer & Alexandra Chalk
Make-up - Emma Bifield

Location Scout (Zombie Lair) - Lullu Elliot

Original Score & Sound Design - Martin Pavey
Editor - Johan A Kruger
Stills Photography - Kaido Kurrue

Casting; Johan A Kruger, Cobi Siminovitch, Angela Dee

Location - London Kings Cross & High Barnet

Film & Lighting equipment - ETC Films

Director: Chris Ranson.
As the caretaker of an indoor swimming pool its Edwards job to keep everything in order. Aged and lonely, Edward starts to struggle as his pool is vandalised and it seems not only is his job on the line but also his grip on reality and a past long forgotten.