Director: George Melford.
The legendary Spanish "Dracula" was filmed at night on the same sets in 1931 in Hollywood and at the same time as the famous Todd Browning/ Bela Lugosi version--but in Spanish, with a Spanish speaking cast and a British director! Film historians consider this version far superior, more "full-blooded"--the editing is more fluid (the original Dracula is quite static, basically a photographed stage play), the lighting more inventive, the camerawork and compositions much bolder, the acting is juicier, and the women are hotter :-) Like "Dracula", it contains no music--Gary Lucas provides a continuous solo guitar underscore that has won praise at film and music festivals all over the world: Review of the World Premiere of Gary Lucas' Spanish "Dracula" project at the Havana Film Festival 12/11/09: "The US guitarist Gary Lucas defied the gods and brought back to life one of the darkest and most terrifying creatures in the literature of horror... Dracula did not need to rise from his coffin in order to return from the realm of the dead; he did it through the guitar of this legendary musician, who, like the most celebrated vampire from Transylvania, has been 'condemned' to immortality." --GRANMA (Cuba), 12/12/09 Review of the European premiere of Gary Lucas' Spanish "Dracula" project at the Transylvania International Film Festival 5/30/10: "One of the most impressive events in this year's edition of the Transylvania International Film Festival... Gary Lucas was formidable--the audience was speechless as for almost 2 hours Lucas' fingers never disconnected from his guitar... an event that no one will ever forget." ADEVARUL, Romania 6/1/10 Review of the New York premiere of Gary Lucas' Spanish "Dracula" at the 48th New York Film Festival 10/9/10: "The event Saturday evening event was terrific, an intoxicating mix of music and imagery. Gary's score builds a nice, eerie immersion an atmosphere of perdition and romantic longing." --SOME CAME RUNNING (film critic Glenn Kenny's column) full review here: http://bit.ly/ckizt5 "Gary Lucas' brilliant musical dialogue with George Melford's Spanish-language "Dracula" rescues this film from mere camp, highlighting the films many innovative and indeed modernist flourishes." --Richard Pena, director of the Film Society of Lincoln Center Full house and standing ovation for the Spanish premiere of Gary Lucas' Spanish "Dracula" at the 7th Sevilla Film Festival 11/8/10: Check out an interview with Gary Lucas from Spanish National TV RTVE beginning at 3:34 here: http://bit.ly/b5i8bO 4 Star review in The Guardian for the UK premiere of Gary Lucas' Spanish "Dracula" at the London Jazz Festival at Queen Elizabeth Hall: http://bit.ly/jLaP1K

Director: Aurelia Burckahrdt.

Director: Three Colours Red. Maria Moreno & Matt Kemp.

This second 'Video of Disquiet' finds two characters exploring the theme of Addiction.

Whats in the box?

 

Director: Three Colours Red. Maria Moreno & Matt Kemp.

Set in 2017 this short film explores the use of law in public space. In the of the film the main character is a situation where a 'Book Amnesty' has just been introduced. What does he do?

Director: WILL MOORE.

Min Mamma alska lesbiska or Mums lesbian lover ( MLL ) is an alternate love story between   two women   MAGDA played by SABRINA CHIMEKA  and KATARINA played by SELMA GLASELL whose relationship started when they were at boarding school. Unfortunately for the pair MAGDA was expelled for smoking before their relationship could be fully developed and its not until years later at a chance meeting between the two in Sweden.  MAGDA who is now a born again Christian Film making lecturer is invited on a break to Sweden by a church friend Michelle played by KETORAH WILLIAMS  that it is realised.

Filmed on location in England the film is in both English and in Swedish.

The Film challenges discrimination and the need for rights to be carried out , from Copyright rights , black civil rights , gender rights and lastly gay rights.  It presents the truth and reality of racism even amongst the wealth y and well to do where MAGDA the black lead is not accepted by her peers at the boarding school despite the financial clout being reached by MAGDAs parents.  This reality is further displayed even in the gay and lesbian relationship where KATARINA – MAGDAs love interest decides that it is best not to further develop the relations hip . It further presents conventional views on held by the church on gay and lesbian relationship whilst challenging that view with a twist