IN MUFF WE TRUST

WELCOME=BIENVENUE

please visit www.muff514.com for more details

info@muff514.com

MANDAT DE MUFF
(english below)

MUFF est une célébration du cinéma indépendant, beau et vrai. MUFF aime les artistes qui osent emmerder la norme et qui dégueulent sur Hollywood. MUFF existe pour vous éblouir, pour vous casser les oreilles et pour vous faire venir! Ouvrez grands les yeux, on arrive.

DATE LIMITE
Le 31 janvier 2012
Date limite d’inscription tardive : le 29 février 2012, frais de $15

Note: Un film expérimental est un film qui n’est ni structuré comme une fiction narrative ni comme un documentaire. Les théoriciens du cinéma considèrent le cinéma expérimental ou d’avant-garde comme l’un des modes d’expression principaux en cinéma, au même titre que les films narratifs, les documentaires et, les avis divergent sur ce point, les films d’animation.

Comme le laisse entendre le terme, le cinéma expérimental vise souvent, mais pas obligatoirement, à tester la réaction des spectateurs envers certaines performances ou présentations que l’on ne retrouve pas dans le cinéma grand public. Ces films sont habituellement avant-gardistes et peuvent choquer ou surprendre le spectateur, intentionnellement ou non. Le cinéma d’avant-garde est souvent plus étroitement lié aux autres arts visuels et à leurs avant-gardes que les autres approches cinématographiques.

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MUFF MANDATE 

DEADLINE
January 31^st, 2012
$15 late fee after February 29^th.
Payable to: Montreal Underground Film Festival

"An experimental film is a film organized neither as narrative fiction nor as non-fiction. As such, film scholars consider the experimental or avant-garde film to be one of the major modes of filmmaking, along with the narrative film, the documentary film and arguably animation ."

As the term suggests, the experimental film is often but not necessarily made to test an audience's reaction to certain performances or types of presentation not normally found in mainstream cinema. Such films are usually avant-garde and may shock or surprise their viewers, intentionally or otherwise. Of all of cinema, experimental film tends to have the closest relationship to the other visual arts and their avant-gardes.

We want to expose your 'MUFF' of visual EX-PARA-MENTAL film, video, sound, and even a little performance art to a numbed, oblivious and quite brainwashed culture of hungry fleshy pods (humans that is). So hit us with your best shot and come forth with the goods. EXPOSE YOURSELF!!!

"As long as the music's loud enough, we won't hear the world falling apart." Borgia Ginz, - Jubilee

PLASTIC PAPER is currently accepting submissions for short and feature-length animated films made after Jan. 1, 2010.  THERE IS NO ENTRY FEE. DEADLINE: Feb 1, 2011. Download the entry form at www.plastic-paper.org 

About PLASTIC PAPER:

PLASTIC PAPER started in 2008 as a mini-program curated by Kier-La Janisse and Dave Barber, and hosted by the Winnipeg Cinematheque before branching out into an independent event. PLASTIC PAPER 2008 featured the Manitoba premieres of Bill Plympton's IDIOTS AND ANGELS, Nina Paley's multi-award winning SITA SINGS THE BLUES, John Bergin's apocalyptic FROM INSIDE and much more. Special guests have included BILL PLYMPTON, HEATHER HENSON and curator NAOMI HOCURA.

Many of the featured works come in a variety of animation styles with sometimes challenging subject matter; although some films are kid-friendly, PLASTIC PAPER is mainly geared towards adult animation fans as well as animators themselves. The programming is widely eclectic, but shows a preference for independently-financed films, films with an adult sensibility, and films using traditional methods of animation, such as 2-D illustration, cut-outs and stop-motion. The festival also showcases films about animators or illustrators, as well as puppetry films. The connecting thread in the programming is that all selections celebrate the labour-intensity, the obsessiveness, and the unique personalities of these very hands-on crafts.