Love Aaj Kal 2020, Review: 141 minutes of messy, moronic, melodramatic mishmash What do you do when that elusive commodity called plot decides to stay clear of your net? You dig into your archives and find a film that you think lends itself to building a sequel. You also pay a visit to the Hollywood classic which helped you spawn another set of two films, the first a charmer, the second that should have been much warmer. And so, from the stable that gave us Jab We Met, Love Aaj Kal 2009 and J...

Baaghi 2, Review: Do we still need an army? He’s an army-man and he’s angry, first at the stone-pelters in Kashmir, and then at the drug-peddlers in Goa. In the former case, he has a bee in his bonnet. Rather, he ties a local to the bonnet on his Jeep, using him as a human shield, and drives through, teaching the militants a lesson. This earns a serious reprimand from his superior officers and a strenuous survival punishment as well. In the latter case, he conducts a master class ...

Main Aur Charles, Review: Misanthropic biopic In the biography, The Life and Crimes of Charles Sobhraj, by Richard Neville and Julie Clark, the serial killer’s mother summed him up. “He has the face of an angel, but somewhere, I think the devil crept into his soul,” she said. Main Aur Charles is the heavily edited, partly fictionalised but deeply rooted biopic about one of the most enigmatic criminal masterminds in 20th century history, wanted in India, Thailand, France, Gre...

       Rang Rasiya/Colours of Passion, Review: ‘Playboy’ painter and the pin-up prostitute At last, the much-talked about and mired in censorship issues, director Ketan Mehta’s Rang Rasiya/Colours of Passion finds release in India, with a For Adults Only certificate. There was similar controversy with his 1993 Maya Memsaab, based on Flaubert’s 19th century novel Madame Bovary, and starring ShahRukh Khan opposite Mehta’s wife Deepa Sahi. Twenty...