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Rajesh Sharma

India’s Most Wanted, Review: Mission without ammunition, found wanting

India’s Most Wanted, Review: Mission without ammunition, found wanting Indian spy thrillers have been on the scene ever since the first film of James from Thames was released in India in the early 1960s. They were broadly divided into categories: rip-offs of 007 and C grade thrillers, with action and a bit of titillation. Remarkably, some of them even managed to incorporate catchy songs into the narrative. In the last two decades, after international terrorism, other than the eternal bo...

22 Yards, Review: Short of a length

22 Yards, Review: Short of a length When you pitch for a film on cricket (pun intended), you better go the whole 22 yards. In cricket, the length of the pitch, from stumps at one end to stumps at the other, is all of 22 yards. That is where the main action of the game takes place. So, with a giveaway title like 22 Yards, you can expect nothing but a film on cricket. Now let me state here, for the benefit of readers from countries that do not play cricket that in India, religion, cinema and cr...

Fryday, Review: Thank Devil, It’s Friday

Fryday, Review: Thank Devil, It’s Friday A water-purifier salesman has until Friday to make his first sale, or else face the sack. A ham actor has only the Friday to make his extra-marital catch, since his wife is away for just about a day. The twain meet at the actor’s home, where the married fan of the hero is about to give in to his seductive moves, and then all hell breaks loose. Umpteen Gujarati and English plays in Mumbai have tried and tested the formula, usually with succ...

Yamla Pagla Deewana--Phirse/3, Review: YPDP 3, Y indeed?

Yamla Pagla Deewana--Phirse/3, Review: YPDP 3, Y indeed? Is good judgement failing the Deols? And did any well-wisher not bring to their notice that the story and screenplay of Yamla Pagla Deewana Phirse/3 is full of sound and fury, signifying nothing? Or is it both? Whatever the reality, fact is that we have the Dharmendra Deol, Sunny Deol and Bobby Deol starrer released this week, a weak exercise in futility. He Man Dharmendra, probably the first hero to show off his rippling muscles bare-...

The Past, Review: And this too shall pass

The Past, Review: And this too shall pass Tropes and stereo-tropes, by themselves, do not a horror film make. Yes, the appearing and disappearing humanoids, the moving and rising objects, the possession and dual pitch speech of the living visited by the dead, the exorcists who use religious symbols, etc., are all part of familiar horror genre. And The Past has all of these, in plenty. But to make an effective horror film, you need to either get the mix right or introduce new elements. The Pas...

Nanu ki Jaanu, Review: It’s a nu nu

Nanu ki Jaanu, Review: It’s a nu nu What can you make of this mishmash that is as puerile as its title? Whatever you make, it’s all a nu nu, or no no, to spell it right. Misguided, miswritten, misdirected and misacted, the film revels in flouting the basic tenets of mise en scène. If the Tamil/Telugu original of this remake was worth remaking, the makers of Nanu Ki Jaanu have done it great injustice, beginning with changing the profession of the protagonist from a violinist...

The Past coming to haunt you

The Past coming to haunt you The Past is a terrifying horror story that has been shot in an actually ‘haunted’ location. The film stars Vedita Pratap Singh, Yuvraj Parasher, Rajesh Sharma, Samiksha Bhatt, Jaya Villey and Soniya Albizuri, in pivotal roles. It is directed By Gagan Puri  and produced by Peacock Motion Filmz, an Indian film studio founded by Jaspal Singh and Nitesh Kumar. Gagan Puri has over eight years of experience in Hindi Cinema, and is also the writer of...

Toilet—Ek Prem Katha, Review by Siraj Syed: Loo and behold!

Toilet—Ek Prem Katha, Review by Siraj Syed: Loo and behold! There is no point getting revolted by the title. Any fear that the film might have ‘dirty’ scenes can be laid to rest by the realisation that we have a robust Central Board of Film Certification (CBFC) that sanitises every film before release. And almost every Indian knows that the current Prime Minister launched a campaign two-and-a-half years ago, to ensure that millions of villages and small towns in rural India ...
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