SCO Film Festival: India to host, festival begins tomorrow In a first-of-its-kind event, the Shanghai Co-operation Organisation (SCO)’s film festival opens tomorrow in Mumbai. This is part of the initiatives taken by India after assuming Presidency of SCO. A total of 55 films will be screened during the festival, at two venues: the Films Division Complex, Peddar Road, and Nehru Centre. Proceedings will be kicked-off at an inaugural function, to be held at the Jamshed Bhabha Theatre, Nat...

Sounds of The Kashmir Files: “Pray for all the oppressed people in the world” Royal Opera House was a surprising choice for the event. Once a landmark for big-budget film releases, it remained shut for about two decades, before it was revived, with plays and other events being held there, but no film shows. Makers of the film The Kashmir Files decided to kill two birds with one stone: reinforce their theme of oppression, persecution, brutal murders and more of Kashmiri Pandits in ...

IFFI 51, 16-24 January, 26: Past, Present and Future of Visualisation, according to Aditya Vikram Sengupta The shift from analogue to digital has changed the art of film-making, and also the mindset for film-making at the same time. “Digitalisation has been a game-changer. With the coming of the digital age, taking re-takes has become easier and visualisation has taken a backseat. The process of capturing an image is not real anymore”, feels award-winning film director, cinematogr...

Dabangg 3, Review: A Bad Dab at Bangg 3 theory There must be a theory that if the first two instalments of Dabangg have worked, a third one must be attempted. The theory probably stipulates that this will work even if it has a skeleton in place of a story, that a host of insider jokes, tongue-in-cheek references to another superstar, repetition of dialogue and the smash hit song of the earlier two Bangs, will replicate box-office magic, that the directorial abilities of Prabhudeva will stitch...

Badshaah Pahelwan, Review: There’s a brown wrestler in the boxing ring, tra la la la la When director of photography S. Krishna turned producer just over two years ago, vicariously, through his wife, Swapna, having directed two action genre films, he decided to make his third film in nine Indian languages. Down the line, he settled for five, with the original in his native Kannada, and dubbed versions in Hindi, Tamil, Telugu and Malayalam. Rather ambitious of Krishna, considering the fi...