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Home >> Dharmendra Sharma
Dharmendra Sharma
Dhokha Round D Corner, Review: True lies, deception-perception and betrayal-portrayal
Way back in 1940, a British film was made under the title Gaslight. It had an American version in 1944. Since then, it has inspired a lot of psychological thrillers, in India too. In the film, a man plots to convince his wife and all around them that she is mad, in order to recover the jewels that he had tried to steal from her late aunt, who he had just murdered, but had failed by the sudden arrival of the ...
Runway 34, Review: Plane truth
Yes, the film is about an aircraft, and a pilot’s attempt to land against all odds on Runway 34. But that is exactly half the story. The film has no action whatsoever, not even a single blow, and it is not even about hijacking. A married man, with a young daughter, is piloting a plane with 150 persons on board, when it hits rough weather. How he manages to avoid disaster constitutes the portion before the intermission. Next appears a much feared man who is...
Velle, Review: R4=Raw, rash, rant, rabble
When you have to wait for an hour to see a film like Velle, it is like rubbing salt into wounds that have yet to be inflicted. That it lasts a mere two hours and five minutes is among the saving graces of the film. Touting a poster that says ‘phasey’ (meaning ‘phansey’ or trapped) and a middle finger rising up, you should probably be able to guess what the film might be like. After seeing the film, you will still not have any i...
Helicopter Eela, Review: No copter, too much of Eela
An intriguing title, the film has nothing to do with helicopters. It is the story of a domineering and stubborn mother who has a fixation about her only son’s welfare and whereabouts. Trouble is he is twentyish and the last thing he needs or likes is being mothered all the time. Designed to showcase the talent of actress Kajol, and co-produced by hubby, actor Ajay Devgn, Helicopter Eela begins on a bright note and then peters down to ...
Siraj Syed reviews Shivaay: She: Vaay? He: Vaay not?
Shivaay is a balanced film, in a convoluted kind of way. There is a germ of a story and there is major plagiarism of tracks from both Hollywood and Indian films. There is breath-taking action and there are pointless stunts. There is high proficiency acting and there is insult to talent. There is a small component of genuine humour and a large dose of unintentionally silly moments. There is organic unity in the screenplay when you match the ...
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