Mario Andreacchio
Many refer to Mario Andreacchio as the father of international co-production. Mario has been directing and producing for almost 30 years and has overseen the co-production of Australia with most European countries; most recently he has become an expert on co-production with China and the world.
Mario regularly leads panels and discussions on co-productions with China and the world. With all eyes presently on China for its increase in wealth and opportunitie...
After four days of packed houses and 18 extraordinary programs, the 16th Annual San Francisco Silent Film Festival ended on a spectacular note.
Alexander Payne introduces the Closing Night Film Photo © Pamela Gentile
The festival concluded with Victor Sjöström's masterpiece HE WHO GETS SLAPPED and the brilliant accompaniment by the Matti Bye Ensemble from Sweden. In their excellent introductions of the film, Guest Director...
L’ÎLE ENCHANTÉE (LutèceFilm, FR 1926)
Regia/dir., scen: Henry Roussell; f./ph: Maurice Velle, Paul Portier; scg./des: Georges Jacouty, Gaston Dumesnil; riprese/filmed: 7-11.1926 (Corsica [Plana, Evisa], Caen (steelworks), La Grave, Vals les Bains; Studios Menchen, Épinay); data uscita/released: 13.5.1927; cast: Rolla Norman (Francesco della Rocca), Jacqueline Forzane (Gisèle Rault), Jean Garat (Firmin Rault), Gaston Jacquet (Gabriel Lestrange), Renée Héribel (Chilina Leonardi), Paul Jo...
L’ÎLE ENCHANTÉE (LutèceFilm, FR 1926)
Regia/dir., scen: Henry Roussell; f./ph: Maurice Velle, Paul Portier; scg./des: Georges Jacouty, Gaston Dumesnil; riprese/filmed: 7-11.1926 (Corsica [Plana, Evisa], Caen (steelworks), La Grave, Vals les Bains; Studios Menchen, Épinay); data uscita/released: 13.5.1927; cast: Rolla Norman (Francesco della Rocca), Jacqueline Forzane (Gisèle Rault), Jean Garat (Firmin Rault),
The president of the Montreal Museum of Fine Arts, Brian M. Levitt, the director, Nathalie Bondil, and all the Museum staff wish to offer their condolences to the Weider family on the sudden demise of Mr. Ben Weider last Friday. "We were very sad to learn of Mr. Weider's death, at the very time that we were working with him on opening the galleries devoted to Napoleon, which we owe to the major gift of his Napoleonic collection. He was so happy about the opening, and had arranged it down to the ...