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Gods and Monsters

Gary Lucas & Gods and Monsters at The Bellhouse Brooklyn Fri. May 18th w/ Beatrice Demi-Mondaine & Institutional Prostitution

user
I am very excited as my longtime band Gods and Monsters are due to play at The Bellhouse in Brooklyn Friday May 18th!!  Here's some more info on the show: http://tktwb.tw/HxGikq Gods and Monsters, my psychedelic supergroup 23 years young this July, includes Ernie Brooks (Modern Lovers) on bass, Billy Ficca (Television) on drums,  Jason Candler (Hungry March Band) on alto sax, and Joe Hendel (Faddy Acids) on trombone and keyboards--our stable lineup since 2004. http://garylu...

"GARY LUCAS PLAYS COFFIN JOE" A HIT AT SXSW FILM AND SXSW MUSIC FESTIVAL!!

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I had a great double header at SXSW over the weekend playing my original live solo guitar score to Jose Mojica Marins's 1967 Brazilian cult horror classic "Esta Noite Encarnerei no teu Cadaver" (This Night I Will Possess Your Corpse) at both the SXSW Film and the SXSW Music Festivals down in Austin Texas! Austin was a zoo as usual with over 2000 different acts performing. I had played there previously both solo acoustic http://garylucas.com/www/soloac   with my b...

GARY LUCAS PROFILED in THE NEW YORK TIMES, WALL STREET JOURNAL, and INTERNATIONAL HERALD TRIBUNE

user
What a great week!! Profiled in THE NEW YORK TIMES http http://nyti.ms/mtjAD3   Profiled in THE WALL STREET JOURNAL http://on.wsj.com/lz0uef    Profiled in the INTERNATIONAL HERALD TRIBUNE Release of my latest GODS AND MONSTERS psychedelic rock album on Kntting Factory Records--produced by Jerry Harrison (Talking Heads) and featurign Ernie Brooks (Modern Lovers), Billy Ficca (Television), Jason Candler (Hungry March Band and Joe Hendel)--tracks, clips , reviews and photos at h...

Gary Lucas and his “Spanish Dracula” in Krakow

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“Spanish Dracula” by Gary Lucas is a project comprising solo guitar compositions as accompaniment to the famous Spanish film “Dracula” made in 1931. The project's premiere took place during the 31st Havana Film Festival, where it was named a spectacular hit. It was also presented during the London Jazz Festival at the Queen Elisabeth Hall and turned into a success, crowned with a 4-star review in “The Guardian”. The performance was also appreciated in other places in t...

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