Director: Lluis Escartín.
A man walks into the desert. A man lives with the Tuareg. A man listens to another man, and this one asks the other to film everything he finds. To film it and spread the word beyond the dunes. Film everything, even if he does not understand. Film it, even if what’s most important remains invisible.

Director: BRUNO ORTIZ LEON.
"HOSTAGES" IS THE HISTORY OF THE DIRECTOR OF THEATRE WHO MEETS INVOLVED IN THE EVENTS OF THE CAPTURE AND RESCUE OF THE RESIDENCE OF THE AMBASSADOR OF JAPAN IN PERU, A POLITICAL LOBBIE DURING THE GOVERNMENT OF ALBERTO FUJIMORI (1996 - ' 97). At the cost of THE LIFE GIVE 72 HOSTAGES IN A COMPASS OF WAIT GIVE 122 DAYS. SINOPSIS: Breve sinopsis de la película Rehenes (Toma de la residencia del embajador japones, Lima-Perú 1996-´97, durante el gobierno de Alberto Fujimori). Una de las embajadas más protegidas del cuerpo diplomático de Lima Perú durante el gobierno de Alberto Fujimori, es tomada por un grupo subversivo al que se había dado por extinguido. Situación gravísima para el país, que indudablemente el poder ejecutivo no dejaría pasar sin beneficiarse políticamente. Resulta asombroso que después de tantos años de violencia terrorista en el Perú, no existiera un dispositivo de estado que hubiera permitido reaccionar rápida y ordenadamente a las fuerzas de seguridad del país. Por ello Rehenes llevado a la pantalla grande por una reciente cinematografía peruana contrasta quizá con éste, uno de los sucesos mas trascendentes de las últimas décadas que se haya dado en nuestra convulsionada Latinoamérica. Un traumático compás de espera de 122 días, para socavar el subsuelo y penetrar a la residencia del embajador nipón se convierte en pretexto para que el gobierno central se auto confiera facultades extraordinarias. Una incursión perpetrada por el Movimiento Revolucionario Tupac Amaru MRTA, previa a las fiestas navideñas de 1996 el operativo de rescate a los rehenes encabezado por un servicio de inteligencia poco transparente a los 122 días de cautiverio son recreados por la ficción cinematográfica de Rehenes donde Mario miranda un joven audaz y transgresor periodista, intenta varias veces tener tribuna en distintos medios de comunicación sin éxito alguno, debido a que todo el país estaba parametrado. Nuestro Protagonista Mario Miranda quien también es director de teatro, prepara una obra sobre la toma de la embajada, pretendiendo revelar algo que va a remover el escenario social de su momento; los entretelones de un lobbie político a costa de la vida de 72 secuestrados, así como la transacción con la dictadura y la corrupción gubernamental por parte de varios de los subversivos del movimiento revolucionario. Mario aunque tiene sueños y pesadillas recurrentes, donde ve cadáveres, balaceras y fosas siente sin embargo que aún le falta un ingrediente para que su historia camine. Por otro lado, aparece lucía una joven y guapa actriz quien se une al elenco teatral para interpretar el papel de la camarada lucero impregnándole a sus actuaciones un fervor revolucionario que va mas allá del libreto teatral. Mario aclara que la obra no es un panfleto en favor de los subversivos. Todo ello ocurre en esta nuestra Lima: una franja gris de víctimas y agresores, que colisionarán en 90 minutos de ficción. ¡Ahh! pero lo que Mario no imagina es que a partir de este momento su vida va a verse seriamente amenazada. Bruno Ortiz León

Director: Ferenc Moldovanyi.
“Expanding upon themes he explored in Children: Kosovo 2000 (SDFF 24), Ferenc Moldoványi’s latest documentary is at once hypnotically beautiful and acutely disturbing. Shot over a two-year period in four countries on four continents—Ecuador (South America), Mexico (North America), Democratic Republic of Congo (Africa), and Cambodia (Asia)—Another Planet unfolds as a cinematic tone poem in the tradition of Koyaanisqatsi, exposing the unequal distribution of wealth around the world as a major humanitarian crisis. Framed by pastoral sequences in which a Tarahumara shaman imparts a dream of paradise on earth, the film moves quickly and seamlessly between the lives of seven children inextricably linked by their shocking and tragic experiences of daily exploitation and abuse. We meet lonely, aimless urchins, barely eking out a living on the streets. We see child laborers toiling in brick factories, garbage dumps, and brothels, only to be beaten when business is down. And perhaps most harrowing of all, we get to know the child soldiers of Congo as they are turned into killing machines. Throughout this journey, Moldoványi’s unwavering vision reminds us of the eternal coexistence of beauty and horror all over the world. Informed by the haunting cinematography of Tibor Máthé as well as Tibor Szemzö’s ethereal soundtrack, Another Planet crosses cultural boundaries to forge a commentary on the human condition as damning as it is open-ended.” 31st Starz Denver International Film Festival Official Catalogue "This globe-spanning film hits hard on many levels—visually, intellectually, emotionally. Beautifully shot in Ecuador, Mexico, Africa and Asia, Moldoványi’s film presents images that sparkle in the eye even as they punch you in the heart. Moldoványi introduces us to children in Cambodia, Ecuador, Mexico and the Democratic Republic of Congo, each of whom is struggling to survive. Working long hours, often in dangerous and dirty conditions, these children show us a side of existence that many have never seen or even imagined. While many in the US hold childhood as a special and protected time of nurtured innocence, this film reminds us all that for many children life is a brutal and precarious game of survival. With subjects that include children scavenging dumps for recyclables, child soldiers and child sex workers, this film offers a sympathetic and unblinking eye. The children themselves are our strongest storytellers, and they open up to Moldoványi’s camera to give us their own perspective. Their frankness astonishes as they talk matter-of-factly about their jobs and the consequences of not earning. The children either are at the mercy of adults—often the parents who force them to work and beat them when they don’t earn enough—or have been abandoned by adults altogether. While the film is not a gentle journey, it imagines a better world, a greater one. The filmmaker relies on your humanity and empathy to be moved by these children, while never directly suggesting a call to action. This film offers an unprecedented opportunity to explore another planet, a trip definitely worth taking." SILVERDOCS: AFI/Discovery Channel Documentary Festival