Director: Laurent Clermont.
A little heart creature is looking for any kind of love in an urban environment.

Director: Ulf Kristiansen.
Based on 2 poems by William Blake, animation by Ulf Kristiansen. Blake is building on the conventional idea that nature, like a work of art, must in some way contain a reflection of its creator. The tiger is strikingly beautiful yet also horrific in its capacity for violence. What kind of a God, then, could or would design such a terrifying beast as the tiger? In more general terms, what does the undeniable existence of evil and violence in the world tell us about the nature of God, and what does it mean to live in a world where a being can at once contain both beauty and horror? The open awe of "The Tyger" contrasts with the easy confidence, in "The Lamb," of a child's innocent faith in a benevolent universe. By letting the tiger recite "the Lamb" , the tiger appears somewhat mephistotelian even though the lamb is not letting herself be seduced. The tiger is also less than impressed by the lamb’s poetry reading and seems to be planning his next meal.

Director: Wolf Hermsen.
Roberto, a puppeteer from Havana, has a dream. He hopes that a festival manager, whom he met years before, invites him and his puppets to Oslo. His dream turns into an obsession and his family starts doubting his mental state. They don't know that Roberto owns another set of puppets in an old ruinous shed in a backyard. He once prepared these puppets with the hair and blood of his deceased wife Olga to lend the puppet a stronger artistic expression.

Director: Sam Donovan.
Oddball Boris tries to reunite his parents on a shark-spotting trip off the North Yorkshire coast. Only, his biggest enemy is along for the ride… his mother’s girlfriend, Lilah. Only once Boris accepts Lilah can he unite his family in his own unique way, through his obsessive love of sharks.