Pro Tools
•Register a festival or a film
Submit film to festivals Promote for free or with Promo Packages

FILMFESTIVALS | 24/7 world wide coverage

Welcome !

Enjoy the best of both worlds: Film & Festival News, exploring the best of the film festivals community.  

Launched in 1995, relentlessly connecting films to festivals, documenting and promoting festivals worldwide.

Working on an upgrade soon.

For collaboration, editorial contributions, or publicity, please send us an email here

User login

|FRENCH VERSION|

RSS Feeds 

Martin Scorsese Masterclass in Cannes

 

 

 

25th Dinard Festival - And the winners are...

The Goob wins Golden Hitchcok

The Goob GB - 2014 - 86 min. - -

  • Director : Guy Myhill
  • Cast : Liam Walpole , Sienna Guillory , Oliver Kennedy , Marama Corlett , Martin Ferguson , Hannah Spearitt , Paul Popplewell , Joe Copsey , Sean Harris
  • Screenwriter : Guy Myhill
  • Photography : Simon Tindall
  • Editor : Adam Biskupski
  • Production : Lee Groombridge , Mike Elliott
  • Source : EmuFilms LLP
 

We’re in the middle of a heatwave in Fenland, England. Goob Taylor has spent each of his sixteen summers helping his Mum run the transport cafe and harvest the surrounding pumpkin fields. When his Mum shacks up with swarthy stock car driving supremo and ladies’ man Gene Womack, Goob becomes an unwelcome side thought. However Goob’s world turns when exotic pumpkin picker Eva arrives. Fuelled by her flirtatious comments, Goob dreams of better things.

 

Prix du Public Première

‘71

de Yann Demange

71_de_Yann_Demange_3

 

 

 

Prix du Scénario Allianz

Catch me Daddy

de Daniel Wolfe

 

 

Prix de l’image Technicolor

Catch me Daddy

de Daniel Wolfe

catchmedaddy

 

 

 

Le Prix « Coup de Cœur »

Décerné par l’association LA REGLE DU JEU

Les films concourant pour ce prix ont déjà un distributeur en France

Distribution du film primé dans 40 salles du Grand Ouest

Lilting, ou la délicatesse

de Hong Khaou

Lilting

 

 

 

Le Prix du Meilleur Court métrage

Décerné par le public dans le cadre de la compétition NFTS / FEMIS

NFTS – The Bigger Picture de Daisy Jacobs

 

 

 

Mention spéciale du jury

Pour la meilleure direction artistique le film « Frank »

frank

 

 

 

Le Jury de la 25e édition du Festival du film britannique de Dinard présidé par Catherine Deneuve : Suzanne Clément, Léa Drucker, Sophie Duez, Emilia Fox, Kevin Macdonald, Alexandre Mallet-Guy, Jodie Whittaker, Penny Woolcock.

 

 

 

Links

The Bulletin Board

> The Bulletin Board Blog
> Partner festivals calling now
> Call for Entry Channel
> Film Showcase
>
 The Best for Fests

Meet our Fest Partners 

Following News

Interview with EFM (Berlin) Director

 

 

Interview with IFTA Chairman (AFM)

 

 

Interview with Cannes Marche du Film Director

 

 

 

Filmfestivals.com dailies live coverage from

> Live from India 
> Live from LA
Beyond Borders
> Locarno
> Toronto
> Venice
> San Sebastian

> AFM
> Tallinn Black Nights 
> Red Sea International Film Festival

> Palm Springs Film Festival
> Kustendorf
> Rotterdam
> Sundance
Santa Barbara Film Festival SBIFF
> Berlin / EFM 
> Fantasporto
Amdocs
Houston WorldFest 
> Julien Dubuque International Film Festival
Cannes / Marche du Film 

 

 

Useful links for the indies:

Big files transfer
> Celebrities / Headlines / News / Gossip
> Clients References
> Crowd Funding
> Deals

> Festivals Trailers Park
> Film Commissions 
> Film Schools
> Financing
> Independent Filmmaking
> Motion Picture Companies and Studios
> Movie Sites
> Movie Theatre Programs
> Music/Soundtracks 
> Posters and Collectibles
> Professional Resources
> Screenwriting
> Search Engines
> Self Distribution
> Search sites – Entertainment
> Short film
> Streaming Solutions
> Submit to festivals
> Videos, DVDs
> Web Magazines and TV

 

> Other resources

+ SUBSCRIBE to the weekly Newsletter
+ Connecting film to fest: Marketing & Promotion
Special offers and discounts
Festival Waiver service
 

User images

About Dinard British Film Festival


The Dinard Festival has been delving into the past (retrospectives), the maturity (tributes), and the future (competition and previews) of British cinema for the past nineteen years, both for the public and industry professionals.

Dinard

France



View my profile
Send me a message
gersbach.net