Pro Tools
•Register a festival or a film
Submit film to festivals Promote for free or with Promo Packages

FILMFESTIVALS | 24/7 world wide coverage

Welcome !

Enjoy the best of both worlds: Film & Festival News, exploring the best of the film festivals community.  

Launched in 1995, relentlessly connecting films to festivals, documenting and promoting festivals worldwide.

Working on an upgrade soon.

For collaboration, editorial contributions, or publicity, please send us an email here

User login

|FRENCH VERSION|

RSS Feeds 

Martin Scorsese Masterclass in Cannes

 

 

 

In Competition: "My Magic" by Eric Khoo

The film:

My Magic, screening in Competition, is a second occasion for the Festival de Cannes to welcome Eric Khoo, after Twelve Storeys, which was selected by Un Certain Regard in 1997. My Magic speaks of love, filial bonds, redemption, and... magic. "It's certainly my most personal film," explains the Singaporean director. "I am a dad myself and for the longest time, I’ve wanted to do a movie about a father and son, the obstacles in their relationship and how they get together despite the difficulties."

Eric Khoo read The Road by Cormac McCarthy, a tale of the tribulations of a father and son, survivors in a post-apocalyptic world. It inspired him with the theme of the film, which he finished writing in a matter of days. Khoo created the character Francis, a man who has been at the end of his rope since his wife left him. His ten-year-old son manages alone, but criticizes his father for letting himself go. Out of love for his son, Francis decides to take up his old trade as a magician again.

Regarding directing the actors, Eric Khoo recalls: "I wanted them to establish a rapport and to be comfortable with each other. They were fantastic. Jathis [the son] was a godsend, he was so natural. Bosco [the father], meanwhile, was my ‘Rock of Gibraltar'. Many of the stunts he performed in the movie are real. Bosco wouldn’t have it any other way. We had to shoot most of them in one take because I couldn’t afford to have him injured. In fact, we wrapped the shoot in just nine days. The cast and crew were just so good. They ran with me... I always wanted this film to be a small, sensitive project. I didn't want to go big and be extravagant with the execution. I wanted it to be intimate, personal, and subtle."

Links

The Bulletin Board

> The Bulletin Board Blog
> Partner festivals calling now
> Call for Entry Channel
> Film Showcase
>
 The Best for Fests

Meet our Fest Partners 

Following News

Interview with EFM (Berlin) Director

 

 

Interview with IFTA Chairman (AFM)

 

 

Interview with Cannes Marche du Film Director

 

 

 

Filmfestivals.com dailies live coverage from

> Live from India 
> Live from LA
Beyond Borders
> Locarno
> Toronto
> Venice
> San Sebastian

> AFM
> Tallinn Black Nights 
> Red Sea International Film Festival

> Palm Springs Film Festival
> Kustendorf
> Rotterdam
> Sundance
Santa Barbara Film Festival SBIFF
> Berlin / EFM 
> Fantasporto
Amdocs
Houston WorldFest 
> Julien Dubuque International Film Festival
Cannes / Marche du Film 

 

 

Useful links for the indies:

Big files transfer
> Celebrities / Headlines / News / Gossip
> Clients References
> Crowd Funding
> Deals

> Festivals Trailers Park
> Film Commissions 
> Film Schools
> Financing
> Independent Filmmaking
> Motion Picture Companies and Studios
> Movie Sites
> Movie Theatre Programs
> Music/Soundtracks 
> Posters and Collectibles
> Professional Resources
> Screenwriting
> Search Engines
> Self Distribution
> Search sites – Entertainment
> Short film
> Streaming Solutions
> Submit to festivals
> Videos, DVDs
> Web Magazines and TV

 

> Other resources

+ SUBSCRIBE to the weekly Newsletter
+ Connecting film to fest: Marketing & Promotion
Special offers and discounts
Festival Waiver service
 

User images

gersbach.net