Sukhee, Review: What’s so bad about feeling good? If you are a woman, as typified by the protagonist in Sukhee, there’s plenty bad about feeling good. The Sukhee women want to be independent and do things that only men indulge in, at least most of them. But can they get away with such audacity? That’s a good platform for developing an attractive screenplay. Sadly, Sukhee, which means Happy, tries too many things and, in the process, dissipates the central idea. It also bring...

Sukhee, Review: What’s so bad about feeling good? If you are a woman, as typified by the protagonist in Sukhee, there’s plenty bad about feeling good. The Sukhee women want to be independent and do things that only men indulge in, at least most of them. But can they get away with such audacity? That’s a good platform for developing an attractive screenplay. Sadly, Sukhee, which means Happy, tries too many things and, in the process, dissipates the central idea. It also bring...

Blue Mountains, Review by Siraj Syed: Colourless Molehills Used as a metaphor for distance, apparently unattainable goals, the Blue Mountains of the title prove as elusive and illusory as the real ones the makers project on screen. Lots of colour, lots of singing, lots of dancing, lots of melodrama, and lots of snow do not help Blue Mountains attain any height. Instead, we find ourselves in a cave, at best, or, rather, a gorge. Som (Yatharth Rastogi), a hill-town boy, and part of a gang of f...