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Berwick Film & Media Arts Festival - 2022 Call for Entries

Berwick Film & Media Arts Festival - 2022 Call for Entries Now in its 18th edition Berwick Film & Media Arts Festival presents an artistically ambitious programme of new cinema and artists’ moving image. A platform for emerging and established artists and filmmakers, BFMAF is inspired by its surroundings to push boundaries and explore the unexplored. The 2022 Call for Entries is now open. Named by FilmFreeway and Moviemaker magazine as one of the 25 Coolest Film Festivals in t...

30th Festival les Instants Vidéo

30 years that our desires are disorders
30 years that we break through cultural, social and economic barriers
30 years that together with the artists, we draw escape plans
30 years that we forge networks of international poetic and political complicities

We are celebrating therefore in 2017, 30 years of poelitic intercontinental video agitations in 30 events without borders (Tunisia, Morocco, Palestine, Kyrgyzstan, Egypt, Argentina, Italy, France…) and in a completely undisciplined way (art spaces, social spaces…)…
 

This dis-oriented tour will arrive safe and sound in November in Marseille: our home base and our launchpad.

 

  • From November 5th to 25th 2017
    International encounters (screenings, performances, debates) 
    FRAC PACA, Cinéma Les Variétés, Friche la Belle de Mai, La Fosse, ARI, Institut Culturel Italien, Vidéodrome 2, Canopé
    *
    Opening of the festival on Friday, 10th at 6pm at les Variétés
    * Opening of the exhibition on Saturday, 11th at 2pm at Friche la Belle de Mai

  • From November 2nd to December 3rd 2017
    Exhibitions
    FRAC, Galerie Deux, SARA, ADPEI, Cinéma les Variétés, Friche la Belle de Mai

30th Festival Les Instants Video

30 years that our desires are disorders
30 years that we break through cultural, social and economic barriers
30 years that together with the artists, we draw escape plans
30 years that we forge networks of international poetic and political complicities

We are celebrating therefore in 2017, 30 years of poelitic intercontinental video agitations in 30 events without borders (Tunisia, Morocco, Palestine, Kyrgyzstan, Egypt, Argentina, Italy, France…) and in a completely undisciplined way (art spaces, social spaces…)…
 

This dis-oriented tour will arrive safe and sound in November in Marseille: our home base and our launchpad.

 

  • From November 10th to 16th 2017
    International encounters (screenings, performances, debates) 
    Les Variétés, Friche la Belle de Mai, La Fosse, ARI, Institut Culturel Italien
    *
    Opening of the festival on Friday, 10th at 6pm at les Variétés
    * Opening of the exhibition on Saturday, 11th at 1pm at La Friche la Belle de Mai

  • From November 2nd to December 10th 2017
    Exhibition of installations, performances, screenings
    FRAC, Galerie Deux, SARA, ADPEI, Friche la Belle de Mai, Vidéodrome 2, Canopé



     

More information here :
www.instantsvideo.com

 

 

Cine//B_7: Calling for submissions

user
      Cine//B is calling for submission. This will be the 7th edition of the Festival, taking place during November at santiago de Chile. National and Internacional Competition. Feature Films, Short Films and Music Videos. Submission 100% online. No entry fee. Send your film using wetransfer, dropbox, vimeo, youtube, ftp or any othe platform. Easier, Faster, Cheaper. Entry Form: http://www.jotformpro.com/form/41830531980958 Deadline: 30.09.14 More info: ...

Leonardo Modas

Director: Malena Malbrán, Alejandra Ceriani, Alberto Peroni, Mariela Rodriguez.
Four people dressed in intervened balaclavas practice strange movements in La Plata river, in Southamerica. From the material, wich includes super8 and digital video, were edited four different versions of what happened that day.

Stop-Watch

Director: James Shilton.
Cites with Eyes, No steps untraced, Safety or Surveillance. Is the use of CCTV within the public realm, for our safety or control by the state? The 60 people used to produce the film were asked to count to a minute in their heads while sitting in front of the camera. This worked as an experiment on peoples perception of time. The morphing effect was used to notion towards the need for people to protect their identity.
gersbach.net