Social cinema as a notion involves no funds, but narrating of hardships, orphanage, mental perplexities and tough life experience. My protagonists are selfless and of rich spiritual history. In Hollywoodian dimension tgey are recognized (Liftoff Festival, Stage32). In European dimension, they are somewhat legendary and inheriting to Antonioni, Visconti, Dzaferelli. My former coursemates lead me to acquaintances with Pazolini and Tonino Guerra, in person. I took after Paradjanov and Ioseliani, as...
Social cinema as a notion involves no funds, but narrating of hardships, orphanage, mental perplexities and tough life experience. My protagonists are selfless and of rich spiritual history. In Hollywoodian dimension tgey are recognized (Liftoff Festival, Stage32). In European dimension, they are somewhat legendary and inheriting to Antonioni, Visconti, Dzafirelli. My former coursemates lead me to acquaintances with Pazolini and Tonino Guerra, in person. I took after Paradjanov and Ioseliani, as...
Social cinema as a notion involves no funds, but narrating of hardships, orphanage, mental perplexities and tough life experience. My protagonists are selfless and of rich spiritual history. In Hollywoodian dimension tgey are recognized (Liftoff Festival, Stage32). In European dimension, they are somewhat legendary and inheriting to Antonioni, Visconti, Dzafirelli. My former coursemates lead me to acquaintances with Pazolini and Tonino Guerra, in person. I took after Paradjanov and Ioseliani, as...
Social cinema as a notion involves no funds, but narrating of hardships, orphanage, mental perplexities and tough life experience. My protagonists are selfless and of rich spiritual history. In Hollywoodian dimension tgey are recognized (Liftoff Festival, Stage32). In European dimension, they are somewhat legendary and inheriting to Antonioni, Visconti, Dzafirelli. My former coursemates lead me to acquaintances with Pazolini and Tonino Guerra, in person. I took after Paradjanov and Ioseliani, as...
Social cinema as a notion involves no funds, but narrating of hardships, orphanage, mental perplexities and tough life experience. My protagonists are selfless and of rich spiritual history. In Hollywoodian dimension tgey are recognized (Liftoff Festival, Stage32). In European dimension, they are somewhat legendary and inheriting to Antonioni, Visconti, Dzafirelli. My former coursemates lead me to acquaintances with Pazolini and Tonino Guerra, in person. I took after Paradjanov and Ioseliani, as...
