Siya, Review: We didn’t see ya A man who has produced 12 films, including masterpieces like Masaan and Newton, over the last eight years, decides to make his directorial debut under his own banner, Drishyam Films (Drishyam means ‘scene’), at the age of 49. His name is Manish Mundra. All eyes are on him. What subject has he chosen? Who are the actors? How will be his treatment of the script, and so on. And then comes the invitation to attend the première of Siya. There...

Pati Patni Aur Woh, Review: Eternal try angle Same title, same production house, same concept, yet Pati Patni Aur Woh is nothing like its 1978 original. Crucial elements like the ‘woh’ (she) being the protagonist’s secretary and the lead couple having a son are missing in this 2019 ‘remake’. Yet, the film works quite well, and if such a brazenly adult theme can avoid becoming a bedroom farce, while delineating the plot on a tight-rope walk, there must be somethi...