Mili, Review: Chilly A remake it is. And an ideal vehicle to draw boundless sympathy from audiences for the lead actress, Janhvi Kapoor. For who would not root for a girl locked in a freezer chamber and subjected to temperatures of -12 degrees to -18 degrees Celsius? What if hypothermia sets in, and she freezes to death? No chance. Mili is producer Boney Kapoor’s mini Titanic tale, minus the boy, and killing her would be like committing suicide. So, once the premise of a girl battling s...

Jhalki, Review: Stop stealing childhood from children After much-raved biopics on Rahul Dev Burman and Jagjit Singh, director Brahmanand S. Siingh trains his lens on an issue that is based on true incidents and is a burning topic for Indian society at large. It brought Kailash Satyarthi the Nobel Peace Prize, and he is both depicted as well as present in the film. How many film-makers can make any such claim? The subject is child-trafficking, and employing little children in carpet factories,...

Yomeddine, Review: Disability or this ability? Unlikely companions embark on an impossible journey, to trace their roots, hundreds of miles away, on a donkey cart, with little money and barest of supplies. Both, the journey and the destination, hold many surprises for the two, some pleasant, some very unpleasant. On the way, they offer you a tribute to the indomitable human spirit, but also make you realise that in a society of regulars and normals, the irregular and abnormal cannot find thei...

Ash is Purest White, Review: Never Love a Gangster Ash is Purest White is a tale of unrequited love that flows seamlessly along the backdrop of the socio-political upheavals in China, during 2001-18. It is an ode to old-fashioned love, set amidst gangsters and con-artistes, making two, revolutionary, and highly controversial, observations: gangster mobs are the last vestiges of loyalty and righteousness, and men are incapable of reciprocating women’s sublime love. Qiao (Zhao Tao) lives...

Raazi, Review: Lying and spying, willing and killing As spy thrillers go, Raazi is, at best, average fare. During the first half, it runs the risk of becoming a pedestrian assemblage of trope followed by trope followed by trope. Then, just in time, the writers and the director took booster shots and shaped out the human dilemma, counterpoising it with murder and mayhem. In scale and mounting, Raazi can pass off as a modest Spielberg vehicle, but the total experience remains just about watchab...