Dhokha Round D Corner, Review: True lies, deception-perception and betrayal-portrayal Way back in 1940, a British film was made under the title Gaslight. It had an American version in 1944. Since then, it has inspired a lot of psychological thrillers, in India too. In the film, a man plots to convince his wife and all around them that she is mad, in order to recover the jewels that he had tried to steal from her late aunt, who he had just murdered, but had failed by the sudden arrival of the ...

Jalsa, Review: The feisty anchor, their devoted maid, her teenaged daughter and a ghastly accident If there was a contest for the most misleading film names, Jalsa (celebration) would stand a good chance of making it to the top, with the title emanating from the last few minutes, having no connection to the two hours that have gone before it. And though the film is being touted as an Amazon Prime Original Film, with T-Series and Abundantia as production partners, why did I get the feel throug...

With its lead players putting up pretences throughout the film, it is easy to label the film pretentious. To be fair, it is not pretentious. There is an element of sincerity in the making. My Client’s Wife is potentially full of sexual encounters, only the makers have been careful to keep it ‘clean’. But as is the problem with psychological thrillers, there are too many red herrings and deviations from the plot just to cause shock and awe. Is it based on a true story? The mak...

Talvar, Review: Whodunit? Doesn’t matter! Like the 1950 Japanese cult film Rashomon, directed by Akira Kurosawa and often rated as one of the greatest films ever made, remade n number of times in India, Meghna Gulzar’s Talvar (sword) presents three contradictory accounts of a nation-rocking real life double murder, which variously portray the prime accused as guilty or innocent. It fictionalises names and dates, amalgamates some characters into a single entity and does not take a ...