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Gali Guleiyan (In the Shadows), Review: Shadow boxing in labyrinthe thin

Gali Guleiyan (In the Shadows), Review: Shadow boxing in labyrinthe thin A year after being shown at Busan and the Mumbai International Film Festival, Gali Guleiyan emerges from the shadows and arrives at cinema halls in India. A psycho-supernatural drama, it falters on both levels and offers only confusion as the intelligible narrative. Performances are of a high order, and so are the music score and cinematography, but how one wishes they were put to better use. In the walled city of Old D...

Once Again, Review: Loneliness, Lunchbox and Love

Once Again, Review: Loneliness, Lunchbox and Love Films in which the actors speak softly, there are no item songs, no fights and no villains, no double entendre, no ghosts, no claptrap dialogues and no stars, are rare indeed. So, when such a movie arrives on the screens, it is time to applaud once again. Once Again, an Indo-German co-production, has many things going for it, and if only it had a more substantive narrative, it would rate among the best of the year. Having said that, I ask disc...

Hichki, Review: Hitch key

Hichki, Review: Hitch key Protagonist Rani Mukerji plays a spunky woman with Tourette Syndrome*, who sets her mind on teaching as a profession. Rather ambitious, considering she bursts into tics, making funny, bark-like noises every 30 seconds or so. It is inspired by the life of American Brad Cohen, probably the most famous person with Tourette Syndrome. With no real stars, this come-back vehicle of actress Rani Mukerji, who took a break for about four years, post marriage to the Yash Raj Fi...

Talvar, Review: Whodunit? Doesn’t matter!

Talvar, Review: Whodunit? Doesn’t matter! Like the 1950 Japanese cult film Rashomon, directed by Akira Kurosawa and often rated as one of the greatest films ever made, remade n number of times in India, Meghna Gulzar’s Talvar (sword) presents three contradictory accounts of a nation-rocking real life double murder, which variously portray the prime accused as guilty or innocent. It fictionalises names and dates, amalgamates some characters into a single entity and does not take a ...

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