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Masaan
Siya, Review: We didn’t see ya
A man who has produced 12 films, including masterpieces like Masaan and Newton, over the last eight years, decides to make his directorial debut under his own banner, Drishyam Films (Drishyam means ‘scene’), at the age of 49. His name is Manish Mundra. All eyes are on him. What subject has he chosen? Who are the actors? How will be his treatment of the script, and so on. And then comes the invitation to attend the première of Siya. There...
Mukti Bhawan review, by Siraj Syed: Pulsating, Soulful, Lively tale, of Death
Mukti is Hindi for release or detachment, and Bhawan is home or mansion. Don’t wait too long after Mukti Bhawan is released in the nearest mansion (cinema hall). And do yourself a favour: Don’t die till you have seen this film about death.
A sublime blend of realism and metaphor, Mukti Bhawan is ostensibly the tale of an old man who wants to move to the ‘dying quarters’ in the city of Banara...
IFFI Goa 2015, Festival Diary, II
To be held from November 20th to 30 2015 in Panaji, Goa, Goa, the 46th International Film Festival of India (IFFI) will showcase movies across several sections, including World Cinema, Indian Panorama, Country Focus, International Competition, Retrospectives, Tributes, First Cut, Workshops, Master Classes, and more. IFFI is organised by the Directorate of Film Festivals, Information and Broadcasting Ministry, Government of India, in association with the...
Mumbai Mantra-CineRise Screenwriting Programme 2015: It all begins with a story, and then …
Names, names and more names. And frankly, Anjum Rajabali, should consider an alternate career as a compère. Not many could rattle off name after name of film personalities and their films with such élan and in such fluent English. And even then, had the audience at the J.W. Marriott, Juhu, Mumbai, not already partaken of a sumptuous Sunday-morning breakfast, it would have found it ...
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