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Saaho, Review: Posture Boys

Saaho, Review: Posture Boys Grand emptiness fills the screen as the Saaho saga unfolds. There is a semblance of a plot and a picture post-card collage of both serene and breath-taking visuals. However, most unfortunately, the most crucial element of a well-crafted film, story-telling, is at a discount. Gory and one-sided fights, a floating, free-falling and soaring mortal superhero, and flesh flaunting femme fatales cannot compensate for flimsy premises and disbelief inviting sequences. Prit...

Kalank, Review: Masochistic miasma

Kalank, Review: Masochistic miasma Everything in Kalank (blemish, stigma) is grand, both in content and in form. Sets and décor, riches and poverty, locales and vehicles, make-up and costumes, dances and fights, colours and luminance, all are designed to make your jaw drop in awe. All this opulence is merely the canvas on which a heart-wrenching tragedy is painted, around the time of India’s partition, with the entire ensemble cast at the receiving end of a woeful operatic wail, ...

Karwaan, Review: Falls just short of its destination

Karwaan, Review: Falls just short of its destination Quite predictably, the two primary reasons for wanting to see Karwaan would be the Hindi debut of Kerala’s superstar, Mammooty’s son, Dulquer Salmaan, already a heart-throb, and a chance to watch the (these days) seriously ill Irrfan, in a major role. Director Akarsh Khurana’s second outing comes after the forgettable High Jack, released a few months ago, so that is not an attraction. Both, the debutant and Irrfan, impress...

Baaghi 2, Review: Do we still need an army?

Baaghi 2, Review: Do we still need an army? He’s an army-man and he’s angry, first at the stone-pelters in Kashmir, and then at the drug-peddlers in Goa. In the former case, he has a bee in his bonnet. Rather, he ties a local to the bonnet on his Jeep, using him as a human shield, and drives through, teaching the militants a lesson. This earns a serious reprimand from his superior officers and a strenuous survival punishment as well. In the latter case, he conducts a master class ...

Hichki, Review: Hitch key

Hichki, Review: Hitch key Protagonist Rani Mukerji plays a spunky woman with Tourette Syndrome*, who sets her mind on teaching as a profession. Rather ambitious, considering she bursts into tics, making funny, bark-like noises every 30 seconds or so. It is inspired by the life of American Brad Cohen, probably the most famous person with Tourette Syndrome. With no real stars, this come-back vehicle of actress Rani Mukerji, who took a break for about four years, post marriage to the Yash Raj Fi...

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