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Home >> Hrishikesh Mukherjee
Hrishikesh Mukherjee
Hachette’s The Bollywood Pocket Book Series, A 4-in-1 Set, by Diptakirti Chauduri: Get set
Yes, it’s a pun. I mean you should get the set, buy the book, or rather, books. They look deceptively thin when ensconced in the hardcover box, but provide a substantial reading once you pull them out. Book one is about Iconic Dates, with Raj Kapoor and Nargis on the cover, under an umbrella. The author reminds us about the calendar of events that begin with Raja Harishchandra’s releas...
Marudhar Express, Review: Chain reaction
You might need to look-up the meaning of Marudhar, even if you are a native Hindi speaker. It refers to the Marwar area of Rajasthan, and the Express is a train that runs between Varanasi, in Uttar Pradesh, and Jodhpur (Rajasthan), touching Lucknow and Kanpur, the two biggest cities in UP, with Allahabad (now renamed PrayaagRaaj) being the third. Now, lest you begin to think that this film is a travelogue or that events take place on the said train, le...
Shoplifters, Review: Only those cannot study at home need to go to school
Through many decades, albeit once in a while, a Japanese film comes up in the rich tradition of Frank Capra, Vittorio De Sica, Satyajit Ray, Ritwick Ghatak, Mrinal Sen, and the better films of Hrishikesh Mukherjee. Back in the 30s, 40s and 50s, in the days of Yasujirō Ozu and Mikio Naruse, it was called neo-realistic cinema. Most of these films were made with non-star casts, on shoe-string budgets, had realistic styles...
Ahaa Re (The Two Lovers/Oh, Look at You), Review: Castle of love on bedrock of food
When you want to make a film about love, lost and found, romance, sublime and selfless, it is a good idea not to include components like villains, fights, item songs, crude comedy, sexual overtones and foul language. So what do you fill your screenplay with? How about conflicts and disparities, of many hues and various proportions? And food? Yes, food. Well if you are a foodie, and a romantic foodie, then why ...
by Siraj Syed
It was through the thoughtfulness of a WhatsApp group member that I came to know about a Press Conference being organised on the 29th of September by Mumbai Academy of the Moving Image (MAMI) to announce the 18th Jio MAMI Mumbai Film Festival. MAMI is a trust that was formed 19 years ago, and the trustees included Hrishikesh Mukherjee, Shyam Benegal, Amol Palekar and Sudhir Mishra. The reins are now held by Kiran Rao, who is also Mrs. Aamir Khan and Anupama Chopra (journalist, a...
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