FICCI FRAMES Fast Track 2022, 01: A comeback of sorts
It was overdue. Usually held in March, it was first postponed at the eleventh hour, and then cancelled. The year was 2020. And everybody remembers what was happening in March 2020. The Ides of March plagued the world in 2021 too, and only relented after March 2022. An eagerly awaited annual event, FICCI FRAMES is the definitive convention of the Media and Entertainment (M & E) Sector of the country. Industry giants assemble, there are ...
16th Third Eye Asian Film Festival: XI
Sixteen years is a long time in the life of a film festival. It seems an even bigger achievement when you consider the upheavals that the Third Eye Asian Film Festival has undergone during its tenure. In fact, it is a miracle that it has continued, against all odds. Asian Film Foundation, headed by Kiran Shantaram, son of late V. Shantaram, remains the driving force, as does Sudhir Nandgaonkar, journalist and a bunch of teenage students pool in their res...
16th Third Eye Asian Film Festival: IX
Biler Diary, Cyanide and Jana Aranya. A Bengali film about a boarding school based on Hindu religious values, an Iranian political thriller about the period immediately preceding the Islamic revolution and a raved work of the master, Satyajit Ray—these were the last feature films I saw at the 16th Third Eye Asian Film Festival, Mumbai.
The festival was organised in December 2017 by the Asian Film Foundation and P.L. Deshpande Maharashtra Kala Acad...
16th Third Eye Asian Film Festival: VIII
Besides Marathi, Bengali language films saw fair representation at TEAFF. There were two Assamese films as well. Internationally, of course, we had a strong Iranian contingent. The festival was organised in December 2017 by the Asian Film Foundation and P.L. Deshpande Maharashtra Kala Academy, and co-organised by Prabhat Chitra Mandal and Akhil Bharatiya Marathi Chitrapat Mahamandal. An annual event, it is supported by Department of Culture, Government...
16th Third Eye Asian Film Festival: VII
TEAFF was organised by the Asian Film Foundation and P.L. Deshpande Maharashtra Kala Academy, and co-organised by Prabhat Chitra Mandal and Akhil Bharatiya Marathi Chitrapat Mahamandal. An annual event, it is supported by Department of Culture, Government of Maharashtra. Screenings were held at Ravindra Natya Mandir Mini Auditorium, Mumbai, which has been the venue for the last few years.
In my last instalment, I covered two Marathi films. Today, we wi...
16th Third Eye Asian Film Festival: VI
Three Marathi films are the focus of today’s post: Nati Khel, Nadi Vahate and Copy. They were shown as part of a package at that consisted of as many as eight films, the maximum in any language from any Indian language. TEAFF is organised by the Asian Film Foundation and P.L. Deshpande Maharashtra Kala Academy, and co-organised by Prabhat Chitra Mandal and Akhil Bharatiya Marathi Chitrapat Mahamandal. It is supported by Department of Culture, Gover...
16th Third Eye Asian Film Festival: V
Open Forum, a festival tradition, was held at the 16th Third Eye Asian Film Festival too, on six of the eight days. It was thoughtfully scheduled between 2 and 3 pm, December 22-27, a slot when no films were being screened. Santosh Pathare of Prabhat Film Society moderated. Compared to the International Film Festival of India (IFFI), Open Forum here was confined to an interaction with the cast/directors/producers of films screened on earlier day(s). Santo...
16th Third Eye Asian Film Festival: II
Prominent writer-journalist, late Arun Sadhu, winner of the Sahitya Akademi Award, was honoured posthumously at the inaugural function of the 16th Third Eye Asian Film Festival (TEAFF), on 21 December, at the Ravindra Natya Mandir Mini Auditorium. Sadhu, who wrote mainly in Marathi but also penned works in English and Hindi, passed away in Mumbai three months ago, aged 76. At the ceremony, he was represented by his wife Aruna and daughter Shefali. Kiran ...
