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Bhanu Pratap Singh

Kusum Ka Biyaah: A bridge that divides

Kusum Ka Biyaah: A bridge that divides Jharkhand was carved out of the state of Bihar many years ago. Perhaps some people in either state and the governments have not yet reconciled to the partition. There appear to be irreconcilable differences between them. With this background comes a small indie film, Kusum Ka Biyaah (Kusum’s Marriage), that is set in the border areas of the two states and involves the marriage of a graduate girl called Kusum, from Bihar, to a colliery worker from J...

Bhoot, the Haunted Ship-Part I, Review: Scares are scarce

Bhoot, the Haunted Ship-Part I, Review: Scares are scarce Considering the negligible number of ghost stories being made in India, Bhoot, the Haunted Ship-Part I, made by names Dharma and ZEE, would have been a film to look forward to. It turns-up with a mixed bag, offering more mix than bag. Firstly, the title is a giveaway, for we already know that there is going to be a ship and that it will be haunted. Secondly, the film plays totally safe, in catering to both kinds of audiences—thos...

Raavan ki Ramayan: Puneet Issar dominates like a colossus

Raavan ki Ramayan: Puneet Issar dominates like a colossus Coconut Theatre and The Films and Theatre Society, staged the play Raavan Ki Ramayan, in two-acts, in Mumbai, on the 5th of May. The venue, Bal Gandharv Rang Mandir, Bandra West, used to be a popular location for rehearsals, and even stagings, back in the 70s and 80s. A couple of years ago, it threw its doors open again to events and plays. The play was revived after one and a half-year with back to back shows, schedules at 5 and 8 pm....

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