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Ashutosh Rana
Pathaan, Review: Exploits and exploitation
Encyclopedia Brittanica defines a pathan thus: Pashtun, also spelled Pushtun or Pakhtun, Hindustani Pathan, Persian Afghan, ethnolinguistic group residing primarily in the region that lies between the Hindu Kush in northeastern Afghanistan and the northern stretch of the Indus River in Pakistan. The Pashtun constitute the largest ethnic group of the population of Afghanistan and bore the exclusive name of Afghan before that name came to denote any na...
Trailer launch of Om, The Battle Within: One man, three wars
Choreographer-director Ahmed Khan, who is adept at directing action as well, takes on the twin roles of co-producer and action designer, in the upcoming movie Om: The Battle Within, the trailer of which was released yesterday at the Juhu PVR multiplex. Present on the occasion were Khan himself, his better half Shaira Khan (co-producer), Shariq Patel (of Zee Studios, which is a co-producer as well as the worldwide distributor of the ...
Bhoot, the Haunted Ship-Part I, Review: Scares are scarce
Considering the negligible number of ghost stories being made in India, Bhoot, the Haunted Ship-Part I, made by names Dharma and ZEE, would have been a film to look forward to. It turns-up with a mixed bag, offering more mix than bag. Firstly, the title is a giveaway, for we already know that there is going to be a ship and that it will be haunted. Secondly, the film plays totally safe, in catering to both kinds of audiences—thos...
Simmba, Review: Slo mo shun
It would be unrealistic to expect anything but action comedies from director Rohit Shetty, showcasing bad guys turning good guys along the line, with tons of slow motion action, having the protagonist landing blow after blow, and the goons rotating before landing on the floor or table or chair or cupboard or door or window or car or cycle or motor-cycle or truck or hand cart or whatever.
This time around, the theme, ostensibly, is the heinous crime of rape, with t...
Mulk, Review: Half-baked attempt at addressing a burning national issue
Right in the beginning, the makers tell you that the film is inspired by real-life incidents, as reported in Indian media, and that they have no intention of suggesting that some acts of some persons are representative of the entire community.
Mulk addresses the burning issue of terrorism and tries to convey the triple messages that perpetrators of terror should not be identified on the basis of their religion, that terr...
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