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The Joker Coming October.

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De De Pyaar De, Review: Differential calculus

De De Pyaar De, Review: Differential calculus Some films begin on a positive note, start developing into potential winners, and then squander it all away, with inane, inept, insane, insipid, inchoate, infeasible, indifferent, inexcusable, incongruous and inconsequential writing. Most likely inspired by a play, American or Indianised, or a Hollywood romantic comedy, De De Pyaar De (Give Me, Give Me Your Love) begins with a newish take on the age-old plank of Daddy Long Legs (1955) and Lamhe (1...

Simmba, Review: Slo mo shun

Simmba, Review: Slo mo shun It would be unrealistic to expect anything but action comedies from director Rohit Shetty, showcasing bad guys turning good guys along the line, with tons of slow motion action, having the protagonist landing blow after blow, and the goons rotating before landing on the floor or table or chair or cupboard or door or window or car or cycle or motor-cycle or truck or hand cart or whatever. This time around, the theme, ostensibly, is the heinous crime of rape, with t...

Helicopter Eela, Review: No copter, too much of Eela

Helicopter Eela, Review: No copter, too much of Eela An intriguing title, the film has nothing to do with helicopters. It is the story of a domineering and stubborn mother who has a fixation about her only son’s welfare and whereabouts. Trouble is he is twentyish and the last thing he needs or likes is being mothered all the time. Designed to showcase the talent of actress Kajol, and co-produced by hubby, actor Ajay Devgn, Helicopter Eela begins on a bright note and then peters down to ...

Raid, Review: Concealing ceiling

Raid, Review: Concealing ceiling Let us warn you in advance that this film is not about an army raid or a guerrilla foray into another country. ‘Raid’ here refers to an operation launched by an Income Tax (the original ‘IT’) official, with the help of his co-workers and the police, to unearth wealth that has not been accounted for and stowed away as ‘black’ assets, evading income tax, by a legislator. Based on a true story, and set in 1981, the movie has ju...

Poster Boys, Review by Siraj Syed: The Half Monty

Poster Boys, Review by Siraj Syed: The Half Monty Actor Shreyas Talpade’s directorial debut vehicle Poster Boys is a remake of his Marathi hit, Poshter Boyz. It also carries an elaborate scene towards the climax which reminds you of the British cult movie, The Full Monty (1997), wherein three unemployed men decide to strip on stage to earn some much needed money. Well, an Indian movie has a chance and a half of pulling off such show of skin on screen, either sex, so they decided to meet...

Siraj Syed reviews Shivaay: She: Vaay? He: Vaay not?

Siraj Syed reviews Shivaay: She: Vaay? He: Vaay not? Shivaay is a balanced film, in a convoluted kind of way. There is a germ of a story and there is major plagiarism of tracks from both Hollywood and Indian films. There is breath-taking action and there are pointless stunts. There is high proficiency acting and there is insult to talent. There is a small component of genuine humour and a large dose of unintentionally silly moments. There is organic unity in the screenplay when you match the ...

Drishyam, Review: Missing Corpse, Hissing Cops and Habeas Corpus

Drishyam, Review: Missing Corpse, Hissing Cops and Habeas Corpus What would drive producers to make and remake a film in five different Indian languages in a span of two years? Box-office success of preceding language versions and a potential remake goldmine at hand, or the merits of a script that tries to turn the killer v/s cops genre on its head, and could have viewers gasping for breath? In the case of Drishyam, whose Sanskritised title can be approximated as Drishya (scene/sight in Hindi...

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