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Storytelling

Love's Improvisations - New Submission to ÉCU 2013

Love's Improvisation is a new submission to ÉCU 2013 in the category Non-European Dramatic Feature. This film is an original, contemporary feature that takes us through the ups and downs of a relationship, as Mira and Omar meet, fall in love, bond, and settle down in their marriage – their relationship ruled by Mira’s concept of love as dependent on meditation and storytelling, and her refusal to be governed b ...

Createasphere Announces TransVergence Summit™

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New, First-of-its-Kind Event Integrating Branding, Technology and Storytelling to Launch in Los Angeles Createasphere, the leading community builder uniting business leaders, content creators, emerging technology providers and thought leaders working in entertainment and media, is launching a new conference focusing on the convergence of technology, branding and storytelling in Los Angeles in the first quarter of 2013 with additional dates scheduled for New York and Amsterdam.   Dub...

Tribeca Film Institute's Interactive Day on April 23

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Tribeca Film Institute's Interactive Day on April 23 to Feature Thought Leaders from Across Media, Technology and Education; Slate Features Keynote from Bartunde Thurson and Speakers from The New York Times, IDEO, Games for Change, Plus Interactive Case Study of HBO's Game of Thrones Tribeca (Online) Film Festival Expands Future of Film Blog Into Live Lunch Series at 92Y Tribeca With Guests Including Paranormal Activity Producer Jason Blum, Tumblr Founder David Karp, College Humor F...

Story Telling: An Art beyond time.

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“You and I shall pass on but our stories shall linger.”   From yesterday, today and tomorrow, stories come from all time and all ages, keeping us unwearied, unbridled, unburdened in its magical realm. A realm of make believe where no matter how desperate things seem there is always something to learn. Learning that changes the way we see our world, the way we act or think, the way we are supposed to live and evolve to what is truthfully our true essence. ...

Sander Francken on BARDSONGS at CPHPIX 2011

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Since BARDSONGS (2010) screened in Palm Springs this past PSIFF 2011, I’ve been speaking to director Sander Francken about doing an interview about what I thought was an extremely intriguing subject for a film, that of oral storytelling in a time where storytelling has changed so much that the old modes have long since departed us. Or have they? Sander’s film is a tribute to oral storytelling and ‘bardsongs’. I tracked him down in Copenhagen at CPHPIX 2011 where his film screened and we ...

The Return of Todd Solondz

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  It's been nearly five years since Todd Solondz, one of American independent cinema's most respected (and controversial) auteurs, has been seen at a film festival. His last film PALINDROMES (2004) premiered at the Venice Film Festival but was roundly hissed by most film critics and its subsequent release was very anemic. After his earlier successes, including his debut WELCOME TO THE DOLLHOUSE (1995), the heartfelt and uncomfortably intimate HAPPINESS (1998) and the less well receive...

The Global Film Village: The Produced By Conference

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Marshall Herskovitz is an instrument of change. He is an award winning producer and the current President of the PGA. He wants to change the world, our business and how we do business. This past weekend he oversaw the first Produced By Conference which took place at the Sony Studios in Culver City. Marshall said during his Sunday afternoon Master Class "Producers are adept at keeping on Balance. There are no answers so there is still lots to be learned. The purpose of this conference was to hel...

Background for Late Fragment: an interactive film

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In 2003, the CFC Media Lab initiated a program called the Interactive Narrative Feature Program (INFP) to experiment with the creation, development, production, financing, marketing and distribution of interactive feature films. As the natural evolution of CFC Media Lab's ten year history of development, research and production of interactive prototypes, the INFP was created to increase Canadian capacity and talent in interactive narrative production. For the INFP's inaugural project, the CFC M...

Ana Serrano, Director of CFC Media Lab

Ana Serrano is the Director of CFC Media Lab, a world-renowned new media research, training and production facility created in 1997 at Norman Jewison’s CFC (Canadian Film Centre). As director of CFC Media Lab, she provides strategic leadership, fiscal development, program design and creative direction for all of the Centre’s new media initiatives, including the development and production of a diverse range of critically acclaimed interactive narrative prototypes.In 2003, Ana was recognized f...

Interview with Todd Solondz: Solondzian Cruelty: No Such Thing

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The PALINDROMES Interview by Craig ParishSolondzian Cruelty: No Such ThingLike a Palindrome the world turns in on itself, unchanged and unchanging. Director Todd Solondz still lives alone in the same place he did 10 years before WELCOME TO THE DOLLHOUSE stormed Sundance in 1995.“Free will is an illusion but limitations are liberating” - TSBorn in 1959 in Newark, NJ, Solondz studied at NYU Film School and made severalshort films, one of which turned studio heads at 20th Century Fox. The upsi...

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