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Martin Scorsese Masterclass in Cannes

 

 

 

Prodigal Sons

JUST TALKING 15/3 part 3 and 4

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JUST TALKING 15/3 part3envoyé par cecilerittweger JUST TALKING 15/3 part4 envoyé par cecilerittweger Is objectivity what is desired in the making of a documentary film? Must a director keep an emotional distance from his film’s main character? These questions were at the heart of the first “Just Talking”, which took place on Sunday, March 15, as part of the sidebar events of the Thessaloniki Documentary Festival - Images of the 21st Centu...

11th TDF: JUST TALKING 15/03/09 (3/15/2009)

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JUST TALKING 15/3 Is objectivity what is desired in the making of a documentary film? Must a director keep an emotional distance from his film’s main character? These questions were at the heart of the first “Just Talking”, which took place on Sunday, March 15, as part of the sidebar events of the Thessaloniki Documentary Festival - Images of the 21st Century. Every afternoon, the 11th Documentary Festival invites its guests, dire...

11th TDF: JUST TALKING 15/03/09 (3/15/2009)

user
JUST TALKING 15/3 Is objectivity what is desired in the making of a documentary film? Must a director keep an emotional distance from his film’s main character? These questions were at the heart of the first “Just Talking”, which took place on Sunday, March 15, as part of the sidebar events of the Thessaloniki Documentary Festival - Images of the 21st Century. Every afternoon, the 11th Documentary Festival invites its guests, dire...

Kimberley Reed

After studying cinema at UC Berkeley (B.A.) and San Francisco State University (M.A.), Kimberly Reed was looking forward to a promising career as a filmmaker. She was a young, award-winning filmmaker (Views of My Father Weeping), had worked as a commercial editor, had traveled the world directing and producing travel documentaries, and had become an early expert in the nascent field of digital filmmaking and post
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