The past few years has seen a steady revival of interest in classic Japanese cinema of the 1950s and 1960s, with a stream of retrospectives and the issues of DVD packages devoted to the works of such films masters as Yasujiro Ozu, Kenzi Mizoguchi and Shohei Imamura. The latest Japanese director to get the revival treatment is Nagisa Oshima, widely considered a major force in world cinema for his provocative films of the 1960s and 1970s. A national tour of Oshima’s work has opened at the Bro...

One of the things that is most satisfying about the New York Film Festival is its loyalty to certain filmmakers and its interest ien rediscovering the films of cinema masters. This year, the Festival will screen a Max Ophuls romantic melodrama classic (Lola Montes, 1955), an Albert Lewin cult film (Pandora And The Flying Dutchman, 1951) and a Pakistani realist drama (The Day Shall Dawn, 1959). But its major retrospective program sidebar is devoted to the Japanese director Nagisa Oshima. The Fe...