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Martin Scorsese Masterclass in Cannes

 

 

 

James LeGros

Bitter Feast will have you coming back for seconds

user
Bitter Feast is aHappy MealThefilm “Bitter Feast” which premiered at Los Angeles Film Festival is acollaborative effort by Indie filmmakers who combined talent to make a filmwhich was shot in 14 days. The production values along with performances by actorsJames LeGros. Joshua Leonard , Amy Seimetz are outstanding and of course MarioBatali adds to the recipe Cinematographer ,Michael McDonough, creates images ontwo Canon 5 D Mark II SR cameras with most of the film shot on available lightin th...

Bitter Feast will have you coming back for seconds

user
Bitter Feast is aHappy MealThefilm “Bitter Feast” which premiered at Los Angeles Film Festival is acollaborative effort by Indie filmmakers who combined talent to make a filmwhich was shot in 14 days. The production values along with performances by actorsJames LeGros. Joshua Leonard , Amy Seimetz are outstanding and of course MarioBatali adds to the recipe Cinematographer ,Michael McDonough, creates images ontwo Canon 5 D Mark II SR cameras with most of the film shot on available lightin th...

Bitter Feast is a Happy Meal

user
Bitter Feast is aHappy MealThe film “Bitter Feast” which premiered at Los Angeles FilmFestival is a collaborative effort by Indie filmmakers who combined talent tomake a film which was shot in 14 days. The production values along withperformances by actors James LeGros. Joshua Leonard , Amy Seimetz areoutstanding and of course Mario Batali adds to the recipe.Cinematographer,Michael McDonough, creates images on two Canon 5 D Mark II SR cameras withmost of the film shot on available light in t...

Interview With Tom DiCillo, Director of DELIRIOUS

Wednesday, August 15---------Tom DiCillo is one of the original New York indies. He started making low-budget indie films in one of the first waves of the American independent film movement in the early 1980s, when independent was more of a lifestyle than a corporate brand. Beginning his career as a cinematographer, he brought his spare but powerful visual aesthetic to such envelope pushing films of the period as Jim Jarmusch's STRANGER THAN PARADISE, Eric Mitchell's UNDERGROUND USA ...

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