Whether you’re a film aficionado diving straight in or a moviegoer coming to the Festival for the first time – this year’s programme is bursting with films and events that will entertain, confront and delight you. We kick-start the Festival with the European Premiere of Frankenweenie, the gloriously crafted, stop-motion 3D animation from Tim Burton, and close our twelve-day celebration of film with the European Premiere of Mike Newell’s visually ravishing adaptation of Great Expect...
Director: Daniel Cormack.
Black comedy. Hardened-pro news reporter Tammy initiates the novice reporter Niall into the art of the 'death-knock' - knocking on the doors of the recently bereaved to get a news story.
Niall's lack of success has put his job under threat and Tammy has been detailed to improve his hit rate. When Niall death-knocks Mrs Wright he finds not the grieving, hostile mother he expected but a warm welcome, good food and a comfortable bed, but what's really going on and what are Mrs Wright's true motives?
Director: Daniel Cormack.
A married couple appear to have all the trappings of wealth, success and happiness, but both Amelia and Michael have secrets from each other.
Michael drops off Amelia for lunch, but once the car is out of sight, Amelia removes her wedding ring and travels to an alternative destination. Michael, however, appears the perfect husband, organising a romantic dinner. But things are not always as they first appear. Amelia goes again to her secret destination: a hospital, where she is visiting a Lover who has been paralysed in a motorbike accident. Michael’s dinner is with a Call-Girl. After she has left his hotel room, he tries to sleep but can’t and is disturbed by a phone call from his work colleague Francis who has discovered his whereabouts.
Amelia uncovers evidence of Michael’s duplicity, but before she can act, the phone rings. She rushes to the hospital, but arrives to find her Lover has already died. Amelia returns to find Michael in the kitchen, who mistakenly assumes his infidelity is the cause of Amelia’s distress. He tries to explain but she silences him.
Amelia and Michael sit in the car in silence. A motorbike stops next to them; an incidental detail of the opening scene which now acquires a poignant and arresting meaning - representing the lost vitality of youth and love. AMELIA AND MICHAEL addresses the discrete, multi-faceted and often contradictory personas people present to each other and asks whether it is possible to truly know another person or even yourself.
The programme for the 54th BFI London Film Festival, launched today by Artistic Director Sandra Hebron, showcases an array of highly anticipated films by both established and emerging talent from around the world. A particularly strong feature this year is the selection of British films including the previously announced Opening and Closing Night Galas. Over 16 days the festival will screen a total of 197 features and 112 shorts, including 11 World, 23 International and 33 European premieres, ma...
2008 marks the ninth year for HDFEST, the historic digital cinema festival. Today, HDFEST announced the details of its upcoming annual New York event October 17th, 18th and 19th. HDFEST New York is the first of HDFEST's 2008 events. HDFEST screens shorts and features that have originated exclusively in High-Definition using High-Definition and HDV cameras and technology. To date, HDFEST events have taken place in numerous cities around the world, ranging from Sydney Australia, Seoul South Ko...
