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ÉRIC GAUTIER

Arnaud Desplechin wil open French Cinema Now in SF

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The San Francisco Film Society, in association with the French-American Cultural Society, the French Consulate of San Francisco and Unifrance USA, presents French Cinema Now (October 8 - 12, Landmark's Clay Theatre, 2261 Fillmore at Clay), an inaugural festival dedicated to celebrating the best in contemporary French cinema. The latest expansion in the Film Society's year-round programming, this new addition to the fall schedule focuses on bringing the most significant new work from one of the w...

Fisco's French Cinema Now to close with The Class (cannes winner)

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The San Francisco Film Society, in association with the French-American Cultural Society, the French Consulate of San Francisco and Unifrance USA, presents French Cinema Now (October 8 - 12, Landmark's Clay Theatre), a five-day festival dedicated to celebrating the best in contemporary French cinema. This new addition to the Film Society's fall programming debuts in style with Arnaud Desplechin in attendance to introduce his latest on October 8, and Laurent Cantet's Cannes Palme d'Or winner clos...

Venice Roars On

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Patrice Chereau’s Gabrielle based on The Return by Joseph Conrad is the story about an upper class woman, Gabrielle (Isabelle Hubert), who writes a letter to her husband that she is leaving him for another man. She later returns home to her husband Jean (Pascal Greggory)the same day. The decision to project letters and plot developments onscreen as mega texts is one of the problems of Chereau’s film. The other is the cinematography by Eric Gautier who tries to enhance the story with more vi...

Leslie Shatz technical prize at Cannes Prix Vulcain

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LESLIE SHATZ WINS PRIX VULCAIN AT THE 58THCANNES FILM FESTIVALAt the closing ceremonies for the 58th Cannes Film Festival Saturday, May 21, 2005 the Commission Superieure Technique de l’Image et du Son (CST) decided unanimously to bestow it’s prestigious Prix Vulcain de l'Artiste-Technicien, to Leslie Shatz for his sublimely minimalist sound design on Gus Van Sant’s LAST DAYS. Shatz shared the award with Robert Rodriguez for his visual treatment on SIN CITY. >From 1951 to 2000, a jury comp...

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