Friday, August 25------There are still a few days to catch the final offerings in the NYC NOIR series that has been running at the Film Forum for the past few weeks. Dedicated to a depiction of New York as a place of grit, grays and ghosts, the series offers a tidy endgame of treats, a mix of classics and little known gems. With temperatures expected to hit the 90s in the final dog days of August, New York never looked quite so noir. But at least this NYC is air conditioned.REAR WINDOW (1954...
NOIR BY NORTHWEST, SEATTLE FILM NOIR WEEK"NOIR CITY SEATTLE" OPENS WITH TWIN BILL OF RARITIES by Alex Deleon, for <www.filmfestivals.com> Tuesday, July 9, 2007 The traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late for...
"NOIR CITY SEATTLE" OPENS WITH TWIN BILL OF RARITIES by Alex Deleon, for <www.filmfestivals.com> Tuesday, July 9, 2007 The traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late forties, "Thieves' Highway&quo...
Monday, July 23-------You may think you know the film that many major film critics chose as the best of last year. But in reality, with little fanfare or certainly Oscar buzz, the film that garnered the most uniform praise from top film scribes was a French thriller, shot in 1959 and set in occupied France during World War II by a director who has been six feet under for more than three decades. That film, ARMY OF SHADOWS, directed by Jean-Pierre Melville, was an astonishingly gritty and involvi...
"NOIR CITY SEATTLE" OPENS WITH RARITIES FROM THE DARK SIDE OF HOLLYWOOD by Alex DeleonThe traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late forties, "Thieves' Highway" (FOX, 1949, 94 minutes) and "Deadline at Dawn" (RKO, 1946, 77 minutes). Both films w...