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Martin Scorsese Masterclass in Cannes

 

 

 

André Gide

Avenue de France

Director: BLASCO Didier.
Kamal, wearing jeans, a black leather jacket and a four days' beard, is peacefully walking in the street to send his baby to sleep. After a police check, he ends up accused of having stolen, his own child. An ordinary evening in France: suspicion and denial of justice, life under lock and key, behind the video surveillance camera.

George Platt Lynes: Idolizing The Male Body

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  Since the first recorded images to the pantheons of Greece and Rome to the contemporary art world's fascination with the human form, the human body has not only been a source of inspiration but also of expression for artists in all medium. The sculptures that we still admire from ancient times are just the starting point for a continued obsession with the perfection of the human musculature. That obsession was certainly the key note in the artistic development and output of photographer...

Italian whodunit GIDE in LOVE Reveals Dark Secret 50 years after

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True Story Italian Whodunit GIDE IN LOVE Reveals Dark Secret 50 years after 50 years after the disappearance of a young Sicilian boy purported to be French writer Andre Gide`s last love, Danielle Russo, a young journalist on the editorial staff of the Paris literary magazine Nouvelle Revue Littéraire, is sent to Sicily in 2000, to the elegant resort town of Taormina and finds herself embroiled in a complex labyrinth of shocking "truths" involving the literary set vacationing a...

Interview with Jonas Mekas Filmmaker and DotFest Jury member

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Interview with Jonas Mekas   Why do you make film? Why do you make such films (not that predictable narrative ones)? I do not know why I make films. It's an obsession. I make diaristic films, it's basically a narrative form of cinema, only that people do not know that I am making a different kind of narrative film. They are used to the oldfashioned narrative cinema. But why diaristic? It stands so on the edge of becoming uninteresting and you, more or less, let the viewer into ...

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