Director: Daniel Cormack.
A married couple appear to have all the trappings of wealth, success and happiness, but both Amelia and Michael have secrets from each other. Michael drops off Amelia for lunch, but once the car is out of sight, Amelia removes her wedding ring and travels to an alternative destination. Michael, however, appears the perfect husband, organising a romantic dinner. But things are not always as they first appear. Amelia goes again to her secret destination: a hospital, where she is visiting a Lover who has been paralysed in a motorbike accident. Michael’s dinner is with a Call-Girl. After she has left his hotel room, he tries to sleep but can’t and is disturbed by a phone call from his work colleague Francis who has discovered his whereabouts. Amelia uncovers evidence of Michael’s duplicity, but before she can act, the phone rings. She rushes to the hospital, but arrives to find her Lover has already died. Amelia returns to find Michael in the kitchen, who mistakenly assumes his infidelity is the cause of Amelia’s distress. He tries to explain but she silences him. Amelia and Michael sit in the car in silence. A motorbike stops next to them; an incidental detail of the opening scene which now acquires a poignant and arresting meaning - representing the lost vitality of youth and love. AMELIA AND MICHAEL addresses the discrete, multi-faceted and often contradictory personas people present to each other and asks whether it is possible to truly know another person or even yourself.

Director: Maks Naporowski.
An ancient evil once threatened the lands of Aronmar, engulfing the world in darkness and nearly destroying all life. In a last effort to save their realm a group of warriors banded together to fight the Darkness. They were said to have found the source of magic, a mystical "Light" that flows through the veins of the land and gives life to all. These warriors became the powerful order known as the "Aegis of Light" and with the powers granted by the Light they were able to stop the Darkness from spreading. Peace and harmony returned to the lands and with time, like all things, the memories of the Darkness withered away. With no signs of danger or of the Aegis warriors, the stories became myths, myths became legends and the Ancient Evil was forgotten. A thousand years have now passed and the Evil has returned, spreading and destroying everything in its path. The lands of Aronmar are once again being consumed by Darkness. Two powerful warriors arrive to witness the destruction of an Elven village. Kara, an Elven warrior, who a thousand years ago used to call this burning town her home, along with a human Paladin knight, Dryden. The two may very well be the last of the powerful order of the "Aegis of Light". Can they stop this ancient evil and it’s minions as they did once before? Can the Aegis save Aronmar or will the Ancient Evil consume all on this Dawn of Darkness ...

Director: Jerome Genevray.
Jean was brought up by his father to worship Super X Man, the super hero of Sex. He falls in love with Audrey, who spent her childhood reading love-filled fairy tales.The collision of their contrasted upbringings leads them to create the Fantasy Factory, a initiation for their child to the wonders of love and desire.