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Winners at TIFF 2017 announced

pcameme.png?w=1200The Toronto International Film Festival® announced its award winners at the closing ceremony at TIFF Bell Lightbox today, hosted by Piers Handling, CEO and Director of TIFF, and Cameron Bailey, Artistic Director of TIFF. To watch the presentation, visit tiff.net/ceremony. The 42nd Festival wraps up this evening.

The short film awards below were selected by a jury comprised of Marit van den Elshout, Head of CineMart at the International Film Festival Rotterdam; award-winning filmmaker Johnny Ma (Old Stone); and Cannes 2017 Art Cinema Award winner Chloé Zhao (The Rider).

IWC SHORT CUTS AWARD FOR BEST CANADIAN SHORT FILM
The IWC Short Cuts Award for Best Canadian Short Film goes to Marc-Antoine Lemire’s Pre-Drink. The jury remarked the film “is a monumental yet intimate portrayal of a woman in transition. Lead by the towering performances of the film's two actors, both of who are worthy of receiving their own awards. The jury were especially taken by the leading actress who gives one of the best performances we saw in the Short Cuts programmes. The 2017 Short Cuts jury honors Pre-Drink for Best Canadian short film.”

The award offers a $10,000 cash prize, made possible by IWC Schaffhausen. 

IWC SHORT CUTS AWARD FOR BEST SHORT FILM
The IWC Short Cuts Award for Best Short Film goes to Niki Lindroth von Bahr’s The Burden (Min Börda). The jury remarked, “Whimsical but tragic, imaginative and just plain weird, this is exactly what one can expect from a Scandinavian musical with fish in bath robes singing out their existentialist crisis. This is a film that stands out in this program and any film program it will ever be part of.” The award offers a $10,000 cash prize made possible by IWC Schaffhausen.

The jury gave honourable mentions to Matthew Rankin’s The Tesla World Light (Tesla: Lumière Mondiale) and Qiu Yang’s Xiao Cheng Er Yue (A Gentle Night). 

The Canadian awards below were selected by a jury comprised of Mark Adams, Artistic Director of the Edinburgh International Film Festival; Canadian documentarian and Hillman Prize winner Min Sook Lee (Migrant Dreams); and artist and filmmaker Ella Cooper, who is also the founder of Black Women Film! Canada. 

CITY OF TORONTO AWARD FOR BEST CANADIAN FIRST FEATURE FILM
The City of Toronto Award for Best Canadian First Feature Film goes to Wayne Wapeemukwa’s Luk' Luk'l. The jury remarked, “The award goes to a striking debut film that disrupts borders - of form and content and suggests new cinematic territories.This beautifully realized film offers a unique Canadian perspective, made with real compassion, insight and remarkable characters from Vancouver’s East Side.” This award carries a cash prize of $15,000, made possible by the City of Toronto.

The jury gave honourable mention to Sadaf Foroughi’s Ava.

CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM
The Canada Goose Award for Best Canadian Feature Film goes to Robin Aubert’s Les Affamés. The jury remarked, “This year the Canada Goose Award for Best Canadian Feature Film goes to a hybrid art-house film that proved to be something of a revelation. Wonderfully scripted and perfectly cast, this film managed the rare feat of featuring genuinely interesting and well-rounded characters; surprising dramatic and comedic moments with well thought-out multi-generational female roles (who were totally badass, I might add) while also dealing with poignant and contemporary issues, set against a striking rural backdrop and hundreds of ‘ravenous’ zombies.”

This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose. 

The jury gave honourable mention to Simon Lavoie’s The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes). 

THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES)
The Festival welcomed an international FIPRESCI jury for the 26th year. The jury members comprised of jury president Jonathan Rosenbaum (USA), Robert Daudelin (Canada), Martin Horyna (Czech Republic), Ivonete Pinto (Brazil), Marietta Steinhart (Austria), and Jim Slotek (Canada).

Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery programme is awarded to Sadaf Foroughi for Ava.

Prize of the International Federation of Film Critics (FIPRESCI) for Special Presentations is awarded to Manuel Martín Cuenca for The Motive (El Autor). 

NETPAC AWARD
As selected by a jury from the Network for the Promotion of Asian Pacific Cinema for the sixth consecutive year, the NETPAC Award for World or International Asian Film Premiere goes to Huang Hsin-Yao’s The Great Buddha+.

Jury members include jury chairperson Rashmi Doraiswamy (India), Jian Hao (China), and Savine Wong (Canada). The jury remarked, “The NETPAC Jury awards The Great Buddha+ for depicting the interface between the haves and have-nots, with black humor and style, innovating with noir in representing the social reality of Taiwan today.”

TORONTO PLATFORM PRIZE PRESENTED BY AIR FRANCE
This is the third year for Platform, the Festival’s juried programme that champions directors’ cinema from around the world. The Festival welcomed an international jury comprised of award-winning filmmakers Chen Kaige, Małgorzata  Szumowska, and Wim Wenders who unanimously awarded the Toronto Platform Prize, presented by Air France, to Warwick Thornton’s Sweet Country.

“This is a spiritual epic taking place in 1929 in Australia’s Northern Territory,” said the jury in a statement.  “It is a great saga of human fate, and its themes of race and struggle for survival are handled in such a simple, rich, unpretentious and touching way, that it became for us a deeply emotional metaphor for our common fight for dignity.

Speaking about their deliberations, the jury added: “We saw 12 films from all over the world that took us into very different universes of the soul and to extremely different places on our planet. We were thankful to be able to see these films and we very much appreciated that actually exactly half of them were made by women. TIFF is leading the way, we feel."

“As we only had one award to give, we had to be quite radical. We also limited ourselves to only one special mention, even if other films might have imposed themselves for best acting, writing or directing.”

Awarding a special mention to Clio Barnard’s Dark River, the jury said: “This film, deeply rooted in the Yorkshire countryside, convinced us, as its characters and actors, its photography, its story and its sense of place were all so much ONE, so utterly believable and controlled, that we were totally taken by it.”

The Toronto Platform Prize offers a custom award and a $25,000 cash prize, made possible by Air France. 

New this year, the Festival presents a free screening of Toronto Platform Prize winner Sweet Country at TIFF Bell Lightbox at 8:30 pm on September 17. Tickets will be available on a first-come, first-served basis beginning at 6:30pm. 

GROLSCH PEOPLE’S CHOICE AWARDS
This year marked the 40th year that Toronto audiences were able to cast a ballot for their favourite Festival film for the Grolsch People’s Choice Award. This year’s award goes to Martin McDonagh for Three Billboards Outside Ebbing, Missouri. The award offers a $15,000 cash prize and custom award, sponsored by Grolsch. The second runner-up is Luca Guadagnino’s Call Me By Your Name. The first runner-up is Craig Gillespie’s I, Tonya.  

The Festival presents a free screening of Three Billboards Outside Ebbing, Missouri at Roy Thomson Hall at 6pm. Tickets will be available on a first-come, first-served basis beginning at 4pm at Roy Thomson Hall.

The Grolsch People’s Choice Midnight Madness Award goes to Joseph Kahn’s Bodied. The second runner-up is Craig Zahler’s Brawl in Cell Block 99. The first runner-up is James Franco’s The Disaster Artist.

The Grolsch People’s Choice Documentary Award goes to Agnès Varda and JR’s Faces Places. The second runner-up is Morgan Spurlock’s Super Size Me 2: Holy Chicken! The first runner-up is Long Time Running directed by Jennifer Baichwal and Nicholas De Pencier.

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After 339 films in 11 days, this year's edition of the Toronto International Film Festival has come to an end. As always, that means only one thing: It's time to reveal the Grolsch People's Choice Winner. From 12 Years a Slave and Room, to last year's La La Land, through your votes, you have championed films in past years that stick with us — and this year is no exception.

 

Grolsch People's Choice Awards
This year marked the 40th year that Toronto audiences were able to cast a ballot for their favourite Festival film for the Grolsch People’s Choice Award.

 

 

THE GROLSCH PEOPLE’S CHOICE AWARD:
WINNER — MARTIN MCDONAGH'S THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

 

First runner-up: Craig Gillespie’s I, Tonya
Second runner-up: Luca Guadagnino’s Call Me By Your Name

 

THE GROLSCH PEOPLE’S CHOICE MIDNIGHT MADNESS AWARD:
Winner: Joseph Kahn’s Bodied
Second runner-up: Craig Zahler’s Brawl in Cell Block 99
First runner-up: James Franco’s The Disaster Artist

 

bodied_01.jpg?w=1200

Bodied

 

THE GROLSCH PEOPLE’S CHOICE DOCUMENTARY AWARD:
Winner: Agnès Varda and JR’s Faces Places
Second runner-up: Morgan Spurlock’s Super Size Me 2: Holy Chicken! 
First runner-up: Long Time Running by Jennifer Baichwal and Nicholas De Pencier

 

facesplaces_01.jpg?w=1200

Faces, Places

 

 

International Jury Awards

TORONTO PLATFORM PRIZE PRESENTED BY AIR FRANCE

For its third year of the Platform programme of director’s cinema, the Festival welcomed an international jury comprised of Chen Kaige, Malgorzata Szumowska, and Wim Wenders.

Winner: Warwick Thornton’s Sweet Country
Jury remarks: “This is a spiritual epic taking place in 1929 in Australia’s Northern Territory. It is a great saga of human fate, and its themes of race and struggle for survival are handled in such a simple, rich, unpretentious and touching way, that it became for us a deeply emotional metaphor for our common fight for dignity.”

 

_0000_sweetcountry_02.jpg?w=1200

Sweet Country

 

Speaking about their deliberations, the Jury statement added: “We saw twelve films from all over the world that took us into very different universes of the soul and to extremely different places on our planet. We were thankful to be able to see these films and we very much appreciated that actually exactly half of them were made by women. TIFF is leading the way, we feel. As we only had one award to give, we had to be quite radical. We also limited ourselves to only one special mention, even if other films might have imposed themselves for best acting, writing or directing.”

Awarding a special mention to Clio Barnard’s Dark River, the Jury said: “This film deeply rooted in the Yorkshire countryside convinced us, as its characters and actors, its photography, its story and its sense of place were all so utterly believable and controlled, that we were totally taken by it.”

New this year, the Festival presents a free screening of Toronto Platform Prize winner Sweet Country at TIFF Bell Lightbox at 8:30 pm on September 17. Tickets will be available on a first-come, first-served basis beginning at 6:30 pm.

 

THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES) 
Winner - Discovery: Sadaf Foroughi’s Ava
Winner - Special Presentations: Manuel Martín Cuenca’s The Motive (El Autor)

ava_01.jpg

Ava

Motive_02.jpg

The Motive (El Autor)

The Festival welcomed an international FIPRESCI jury composed of jury president Jonathan Rosenbaum (USA), Robert Daudelin (Canada), Martin Horyna (Czech Republic), Ivonete Pinto (Brazil), Marietta Steinhart (Austria), and Jim Slotek (Canada).

 

NETPAC AWARD 
Winner: Huang Hsin-Yao’s The Great Buddha+
Jury remarks: “The NETPAC Jury awards The Great Buddha+ for depicting the interface between the haves and have-nots, with black humour and style, innovating with noir in representing the social reality of Taiwan today.”

 

Great_Buddha_01.jpg?w=1200

The Great Buddha+

 

Jury members include jury chairperson Rashmi Doraiswamy (India), Jian Hao (China), and Savine Wong (Canada).

 

Short Film Jury Awards

The short film awards below were selected by a jury comprised of Marit van den Elshout, Johnny Ma, and Chloé Zhao.

_0000_predrink_01.jpg

Pre-Drink

_0000_burden_01.jpg

The Burden (Min Börda)

IWC SHORT CUTS AWARD FOR BEST CANADIAN SHORT FILM 
Winner: Marc-Antoine Lemire’s Pre-Drink
Jury remarks: “A monumental yet intimate portrayal of a woman in transition.“

IWC SHORT CUTS AWARD FOR BEST SHORT FILM
Winner: Niki Lindroth von Bahr’s The Burden (Min Börda)
Jury remarks: “Whimsical but tragic, imaginative and just plain weird, this is exactly what one can expect from a Scandinavian musical with fish in bath robes singing out their existentialist crisis. This is a film that stands out in this program and any film program it will ever be part of.”

Honourable mentions to Matthew Rankin’s The Tesla World Light (Tesla: Lumière Mondiale) and Qiu Yang’s Xiao Cheng Er Yue (A Gentle Night).

 

Canadian Film Jury Awards

The Canadian awards below were selected by a jury comprised of Mark Adams, Min Sook Lee, and Ella Cooper.

lukluki_01.jpg

Luk' Luk'l

ravenous_01.jpg

Les Affamés

CITY OF TORONTO AWARD FOR BEST CANADIAN FIRST FEATURE FILM
Winner: Wayne Wapeemukwa’s Luk' Luk'l
Jury remarks: “The award goes to a striking debut film that disrupts borders - of form and content and suggests new cinematic territories. This beautifully realized film offers a unique Canadian perspective, made with real compassion, insight and remarkable characters from Vancouver’s East Side.”

Honourable mention to Sadaf Foroughi’s Ava.

CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM 
Winner: Robin Aubert’s Les Affamés.
Jury remarks: “A hybrid art-house film that proved to be something of a revelation. Wonderfully scripted and perfectly cast, this film managed the rare feat of featuring genuinely interesting and well-rounded characters; surprising dramatic and comedic moments with well thought-out multi-generational female roles (who were totally badass) while also dealing with poignant and contemporary issues, set against a striking rural backdrop and hundreds of ‘ravenous’ zombies.”

Honourable mention to Simon Lavoie’s The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes).

 

 

About TIFF
TIFF is a charitable cultural organization whose mission is to transform the way people see the world, through film. An international leader in film culture, TIFF projects include the annual Toronto International Film Festival in September; TIFF Bell Lightbox, which features five cinemas, major exhibitions, and learning and entertainment facilities; and innovative national distribution program Film Circuit. The organization generates an annual economic impact of $189 million CAD. TIFF Bell Lightbox is generously supported by contributors including Founding Sponsor Bell, the Province of Ontario, the Government of Canada, the City of Toronto, the Reitman family (Ivan Reitman, Agi Mandel and Susan Michaels), The Daniels Corporation and RBC. For more information, visit tiff.net.

IWC Schaffhausen is the sponsor of the Short Cuts Awards. 

The City of Toronto is the supporter of the Award for Best Canadian First Feature Film.

Canada Goose is the sponsor of the Award for Best Canadian Feature Film.

Air France is the sponsor of the Toronto Platform Prize. 

Grolsch is the sponsor of the People's Choice Awards.

The Toronto International Film Festival is generously supported by Lead Sponsor Bell, Major Sponsors RBC, L’Oréal Paris and Visa, and Major Supporters the Government of Ontario, Telefilm Canada and the City of Toronto.

 

 
 
 

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