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› 2000

The first Filmstock was an epic 15 day event. The first year welcomed animation legend Ray Harryhausen to the festival and we screen an unseen Abbott & Costello episode, alongside some fantastic short films. One of these, a documentary called ‘Bezdan’ was one of the first films exported from Bosnia since the Balkans conflict, and nearly didn’t make it. As a way of attracting local audiences, the initial retrospective theme was comedy, with everything from Woody Allen and Stanley Kubrick to a Steve Martin double bill and a Spoof Marathon.

› 2001

Our first real leap. Although homeless due to the temporary closure of the local Arts Centre, and housed in a makeshift venue in the bowels of Luton town hall, the amount of independent screenings was increased hugely, with more filmmakers visiting from all over. The themes for the year were villains, and music films. The closing preview tradition was also started with the first UK Screening of ‘Shrek’. To close out we held a 10th Anniversary screening of ‘The Commitments’ and reunited some cast members, before heading off to a local Irish pub for an all night party that has passed into local legend. We also held our first annual outdoor screening with live music - The Rocky Horror Picture Show.

› 2002

Onwards and upwards. Back in the local arts centre. We also staged one of our greatest Filmstock events, showing Baz Luhrmann’s ‘Romeo & Juliet’ in a 15th Century church, filled with candles and rose petals. People queued around the block, and stood at the back for a 3 screen emotional extravaganza. The opening preview was the Christopher Nolan film ‘Insomnia’. The theme was Women in film and we also welcomed some fine New York musicians to head up our New York Night, a place very close to our hearts.

› 2003

The independent strand is growing and growing, showing more films and welcoming more visitors. The season Montage is launched. We welcomed Jim Sheridan to the festival to discuss his favourite films and the programme he curated for us. His interview was a true highlight. Also that year the theme was Easy Riders, Raging Bulls, like the book, and exclusive programme notes were provided by the author Peter Biskind.

› 2004

No central theme this year, but Montage returned, with a fantastic talk and season provided by Mike Hodges alongside screenings of his films, including a Saturday morning screening of the Saturday morning classic ‘Flash Gordon’. The independent focus has become the central strand of the festival and the festival’s reputation in this area has seen it develop into a talked about event for international filmmakers. But there is also time to squeeze in a short season of the most extreme cinema ever, called ‘Endurance’, and a Bruce Lee night.

› 2005

This year was all about independent film. The festival screened over 150 shorts, docs and features as it found its niche and meaning. The tradition of opening and closing films was cemented with Undertow to kick things off and an exclusive screening of Batman Begins to close things out. This year also saw the arrival of a now infamous screening. ‘Filmschlock’, a night where the audience can revel in and abuse the worst cinema has to offer, hopefully as an inspiration to make something better.

› 2006

Montage returned with a season curated by the inimitable Barry Norman. The independent strand became huge. There was a bike ride. Jaws in a swimming pool. We had the Palm D’Or winner to close the festival and for the opening film ‘Thank You For Smoking’, the festival welcomed Director Jason Reitman who is not only a lovely guy, but is a Filmstock alumni from way back in 2001.

› Download the brochure here

› 2007

We moved to November and the festival exploded. We had more people than ever thanks to that, and our ‘beers of the world’ festival. Film wise our Indie section was as fantastic as ever, with more filmmakers than ever in attendance, we launched a season of Polish cinema, Polskistock and for one night we brought back our ‘Endurance’ strand, and invited people to watch extreme cinema on their backs, on cold hard floor, with the film projected on the ceiling.

› Download the brochure here

› Closing Films

2001 – Shrek
2003 – Nicholas Nickelby
2004 – The Cooler
2005 – Batman Begins
2006 – The Wind That Shakes The Barley
2007 – The Darjeeling Ltd.

› Opening Films

2002 – Insomnia
2003 - Identity
2004 – The Return
2005 – Undertow
2006 – Thank You For Smoking
2007 – Planet Terror

› Outdoor Screenings

2001 – Rocky Horror Picture Show
2002 – Grease
2003 – Moulin Rouge
2004 – School Of Rock
2005 – Willy Wonka And The Chocolate Factory
2006 – Monty Python And The Holy Grail