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Generation Take It to the Limit
Maria Galant in Irmã (Sisters in the End of the World) by Luciana Mazeto and Vinícius Lopes With 59 competition entries, including 29 world premieres and eleven debut films from 34 countries and a share of female directors reaching 58%, the programme of the 43rd Generation is now complete. “A keen and open eye, the questioning of conventions and the often dramatic transgressions of borders make the films in the Generation programme particularly powerful: in their stories and topics, but also in their film language,” says head of Generation Maryanne Redpath. Kplus: With a Keen Eye Through LifeStrolling with the three-year-old Zhana through her Bulgarian hometown in the documentary Ochite mi sini, rokljata sharena (Blue Eyes and Colorful My Dress) is like a miracle, although it involves nothing more than everyday occurrences. This is also the case in the vivid film Sthalpuran (Chronicle of Space), in which a boy who misses his father reveals mysterious places and hidden spaces in India: wonderful landscapes, time-consuming rituals, impressive natural events. The young heroes and heroines are brimming with vitality and ingenuity, even if the circumstances are adverse. In the Swedish family adventure Sune - Best Man, in the Danish animated film Mugge & vejfesten (Monty and the Street Party) and in the Australian opening film H Is for Happiness, in which a twelve-year-old girl makes it clear once and for all: happiness is what is inside each of us! With delicately sensitive image and sound design, in a manner which is pure and authentic, injuries and wounds are described in families in which the children are often stronger and more responsible than their parents, as in the debut of the Argentine director Sol Berruezo Pichon-Riviére Mamá, mamá, mamá (Mum, Mum, Mum) or in Alexandre Rockwell’s indie drama Sweet Thing. 14plus: In a State of EmergencyThe opening film of the Generation 14plus competition, Leonie Krippendorff’s Kokon (Cocoon), celebrates the special nature of the first times. Confidently displaying your own identity, shaking off social labels and re-evaluating media prescriptions are challenges, which the young protagonists courageously face. In the debut film of the same name by the Brazilian Gil Baroni, Alice Júnior shares her joy of life with classmates and the online community in spite of all indignities. Exactly how strong female characters become new role models, both in family and society, can be witnessed in many Generation films. The young skaters in Meu nome é Bagdá (My Name is Baghdad) demonstrate the energy and power of their emancipation within and beyond their macho-influenced scene. In the search for justice, it is primarily young women who display courage, tenacity and resistance, such as in the French-Iranian production Yalda, la nuit du pardon (Yalda, a Night for Forgiveness) or the Italian feature film Palazzo di Giustizia (Ordinary Justice). In The Earth Is Blue as an Orange, hard reality, cinematic staging and several generations of a Ukrainian family all come together in a confined space and jointly come to terms with the exceptional situations experienced during the current war. The Generation films celebrate the diversity and the differences of human experience and give viewers of all ages space to reflect on their own living environment with new eyes. Generation KplusBroken Bird Birdie, growing up as the daughter of a Black American and a white woman, is Jewish, has unruly hair and must deal with the different identity offers that surround her. Highlighting the challenges of lived intersectionality, empowering and original. Elders Nature teaches us vital lessons. In Wojobaluk Country, two elders introduce their grandson to the characteristics of the country of their ancestors. With keen senses, great attention to detail and the necessary respect for the environment, the boy becomes acquainted with the terrain. El nombre del hijo (The Name of the Son) Long hair would look good on him, but so would a moustache. This summer by the sea, the trans boy Lucho knows that there is a lot in him that is difficult to share with others. A sensitive approach to the diversity of gender in body and soul. El sghayra (Miss) There is a wrecked car in the Algerian desert. The girl gets in and drives. Apart from sand, there is nothing to see for miles. Searching for a change of scenery, she visits the elderly in her village and the nearby oasis. However, whether shepherd, merchant or blacksmith, nobody can see what she sees. El silencio del río (The Silence of the River) The waters are deep, and the thicket of the jungle is shadowy in the dreamy and mysterious landscape of the Amazon. The fisher boy Juan decides to share with his father the terrifying dream that haunts him. Maybe then he can save his father’s soul. En route For Inay and her brother, the world is inexhaustibly rich in small, wonderful things, but poverty is the current fate of their family. For them, life is a balancing act along the fine line between steadfastness and tragedy. The film tells of the precariat beyond conventional presumptions. Hello Ahma Now, Grandma is just a framed photo on the wall. Eight-year-old Michelle observes how her parents cope with her death, how they pause, remember, carry on with life. The girl has her own thoughts about this. Is it possible that grandmother was born again? The Kites On the slope of a river valley along the Iraqi-Iranian border of Kurdistan, a girl’s kite flies away. She calls three boys for help. However, the children are not only separated by the river valley, but also by the explosive legacies of past wars. Der kleine Vogel und die Bienen (The Little Bird and the Bees) After the little bird has fluttered across the Generation canvas in fall and winter episodes, a new adventure follows. It is springtime, and the little bird makes the acquaintance of the bees, but the voracious fox is already in pursuit. Las niñas (Schoolgirls) Prodded by the rebellious Brisa, puberty is awakening in twelve-year-old Celia. Quickly, the two become allies against the rigid rules of authority in the Catholic girls’ school. However, questions about the right bra, cool bands and sexy clothing cannot hide the urgent search for their own identity. Lístek (Leaf) A beautiful red leaf of a tree is the ticket of the girl who wants to board the big steamer. The scent of this leaf reminds the sailor of his homeland and finally leads him back there. Mamá, mamá, mamá (Mum, Mum, Mum) A veil of sadness lies over the oppressively hot summer days. Cleo dives into daydreams with her cousins, the girls share secret signs and rituals. Flowing gently, in impressionistic images, the empty space that the death of Cleo’s sister has left in the family is poetically encircled. Mishou Far and wide only snow, ice and a pleasant silence. Until a helicopter drops a load of noisy tourists. A humorous animation about animalistic interaction and the human ignorance of nature. Milen Vitanov, co-founder of the Berlin Talking Animals collective, has a film in Generation for the second time. Money Honey Hank is in a bad mood. Red wants to cheer up her buddy. Perhaps, with a bit of luck and business acumen, they might acquire enough money for an Elvis sandwich with peanut butter, banana and bacon? Mugge & vejfesten (Monty and the Street Party) Monty, a cheerful optimist, wants to organise a big neighbourhood party to reconcile his parents shortly before their divorce. Nuns with beards on stilts and enthusiastic parkour nudists, those are part of everyday life in his little town. A breath-taking firework of bizarre and pointed punch lines on the occasion of a hopeless situation. Ochite mi sini, rokljata sharena (Blue Eyes and Colorful My Dress) Full of self-confidence, three-year-old Zhana explores her neighbourhood in Plovdiv, Bulgaria. A fresh look at the world, at places and people who fascinate, who make one laugh, who challenge or are challenged by the little explorer. A documentary as an endless chain of little miracles. Onderhuids (Under the Skin) The blue depths of the swimming pool is her home. Keesje is a passionate synchronised swimmer, and the big competition is just around the corner. However, when a fight erupts between the girls during the final rehearsal, everything changes. The subtle nuances between belonging and feeling marginalised begin to surface. Rã (Frogs) It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten. Sthalpuran (Chronicle of Space) The move from the city to the country, the disappearance of the father. Nobody explained to Dhigu why this is so. Throughout the summer, the observant boy takes note of his surroundings. Together with Dhigu, the film explores his new place of life in the Indian province, with images of vastness and abundance that become deeply etched into the memory. Sune – Best Man Sune meets himself as a figure from the future, someone who wants to give him the lead on an important decision. But it is in Sune’s family that no one can really make a decision. Aimlessness and inventiveness characterise grandpa, the parents and the children. After Sune vs. Sune, a turbulent family trip with heart, humour and action. toni_with_an_i Music lover Toni lives out in the virtual world what she can’t show at school. Online likes torpedo malice in real life, and vice versa. In Marco Alessi’s (Special mention Generation 14plus 2019 with Four Quartets) toni_with_an_i, a gaudy and colourful portrait of a teenager, the Internet is the answer. Qiu shi (Harvest) An animation illustrated by the renowned Chinese water-colour artist Sun Lijun, in which a small grasshopper hunts for the season’s most sought-after fruits. His dramatic escape from a large predator leads him unexpectedly to the object of desire: the pomegranate. Generation 14plusAlice Júnior Alice Júnior is trans, confident and ready to confront life. In the new school in the Brazilian province, she is first bullied and then admired. In her struggle for acceptance, her YouTube community is omnipresent, in the comments and emojis on her page, but also all throughout the visual level of the film. Babylebbe (Babydyke) Tagged as Babydyke by her older sister and her clique, a teenager delves into the party life of the queer scene. Frede doesn’t like labels, she wants to love and be loved. A film as rough and as tender as the world which it depicts. Comrades Young people are protesting on the streets of Hong Kong in order to bring about change. Air soaked with tear gas, the dark uniforms and loud commands of the police officers in the colourful umbrella sea of the protesters. In the midst of the action, the film documents a brand new protest movement. The Earth Is Blue as an Orange The budding filmmaker Myroslava and her family are at home in the middle of the Ukrainian war zone. In the formerly lively environment, emptiness has spread, once familiar things now seem threatening. By re-enacting scenes and telling each other what has happened, the family members process the persistent state of emergency together. Grevillea Black ink on white skin. An incarcerated youth of Jewish faith decides to get a tattoo with the leaf of the Australian silver oak, against the conventions of his religion. A visual-sensual snapshot of a possibly irreversible decision. Hot Mother A horror trip based on a true incident: The feel-good atmosphere of the wellness resort cannot calm the tense mood between mother and daughter. They relentlessly criticise each other. Ultimately, in the hot sauna, there is no escape for either of them. Irmã (Sisters in the End of the World) The mother is dying, the father has never cared. The two sisters Ana and Ju, however, remain strong and in solidarity with each other - even if the world around them collapses and asteroids fall from the sky. An experimental road movie in pulsating images, containing ingenious dialogues and songs that reverberate. Jumbo The shy Jeanne (Noémi Merlant) still lives with her mother. At night, she works in an amusement park. Suddenly, the new attraction Jumbo - a huge idiosyncratic carousel - appears and begins to put the young woman under its spell. A wild and unusual love story unfolds. Kaze no Denwa (Voices in the Wind) Years after her family was killed in the 2011 tsunami, the quiet Haru, played by the young Japanese star Serena Motola, travels across Japan in search of traces. A calm road movie that collects miniature portraits as painted by encounters, thus becoming the portrait of a society that is still deeply marked by trauma. La déesse des mouches à feu (Goddess of the Fireflies) Following the separation of her parents, 16-year-old Catherine loses her footing. She plunges into life, lets herself be carried away by drugs and music, and finds a new family in a clique of her peers as well as the opportunity for her first sexual encounter. Pure teen spirit, impressively embodied by the high-energy, Canadian actress Kelly Depeault. Le mal du siècle (The Great Malaise) The hedgehog between balloons, the feline predator on the hamster wheel, the fish in the lifebuoy: A young woman portrays herself in the best possible light in her self-description. Ingenious and humorous, the film illustrates honest images for the praised ideals of life in the 21st century. The burnout is pre-programmed. Palazzo di Giustizia (Ordinary Justice) While a trial involving murder, manslaughter and armed robbery is being conducted inside the courtroom, the two daughters of the accused are sentenced to wait outside in the hallway. It is the casual, although meaningful moments which are captured that make this portrayal of a very ordinary day at the court truly impressive. Panteres (Panthers) They are scarred, overweight, pregnant, shaved, or tattooed. In the locker room, Joana studies the physical conditions of other women and later of herself in the mirror. Can your own body be modulated? Your gender? Your femininity? “Break Free” is written on her shirt - time for emancipation. Progresso Renaissance Portovesme in the south of Sardinia, a place with many faces: Once an industrial flagship, today an abandoned place of work. A breath of summer idyll has withstood the test of time. In neo-realistic 16mm images and archive material, and with an accentuated soundtrack, the film follows three boys who appear as if emerging from a memory. White Winged Horse A man returns to his Iranian hometown, which was destroyed in the war 20 years ago. He is searching for his childhood sweetheart who had promised him eternal love – if he were to return as a white-winged horse. Past and present overlap in the poetic memory and imagination of the boy he once was. Who Can Predict What Will Move You What quickly and dynamically begins while playing basketball together evolves into a gently shy dance of two young men through the night. A poetic, yet wonderfully tender exploration of the various forms of affection and intimacy. Yalda, la nuit du pardon (Yalda, a Night for Forgiveness) In the artificial entertainment world of the Iranian TV show “Joy of Forgiveness”, the wronged daughter and a public of millions judge the fate of a young woman who is sentenced to death. Maryam is said to have murdered her much older husband, a man with whom she had lived in a temporary marriage. A tense drama about the power of forgiveness and the women who are doomed to remain prisoners. As of January 22, 2020
Should I Stay or Should I Go – Young People on the Move
Tamar van Waning and Jonas Smulders in Paradise Drifters As diverse and challenging as the realities of life of young people in different parts of the world, so too are the topics and forms of the Generation films, which have been invited by section head Maryanne Redpath up to now. The following co-production countries are represented so far: Australia, Belgium, Brazil, Canada, Germany, France, Mexico, Mongolia, the Netherlands, the Philippines, Sweden, the United Kingdom and the USA. Nine of the films celebrate their world premiere at Generation. As part of the Berlinale School Project, which has been organised in cooperation with VISION KINO since 2006, primary and secondary school teachers from Berlin and Brandenburg are integrating selected films from the section into their lessons. The full programme will be released in January.
Generation 14plus
In a world which resembles a computer game from bygone times, an unloved boy embarks upon a search for answers to the essential questions: How does one become happy in life? Is there a “real me”, or do we just play some character?
For the 750 dogs that live in a Moroccan shelter, the daily routine consists of eating, resting, a bit of fighting and eating again. Could they possibly expect more from life? A pointed, cinematic commentary on mass confinement.
Fire, wind and smoke have been the fundamental elements for Aboriginal people for thousands of years. Their knowledge of the original power of fire is passed on from one generation to the next. A creative development of oral storytelling in audio-visual form.
For Ian, his father's death is an emancipation. He is determined to leave behind the echo of those emotionally charged words, the desolate high-rise estate and his old home and start over again.
In the shimmering midsummer days, there are many first times for young Nora from Kreuzberg: menstruating, smoking marijuana, discovering sexual desires. And then there's Romy as well. The two young women, impressively played by Lena Urzendowsky and Jella Haase, gently approach each other.
A film from the skater world of São Paulo, where it is women who call the shots. Bagdá is surrounded by self-confident role models in her family. However, outside on the streets, in the venues and clubs, the old machismo continues to dominate. Bagdá and her fellow comrades-in-arms confront it defiantly.
An animated puppet film as a melancholy ballad: In deserted conference rooms, bed stores, experimental laboratories, medical offices, petrol stations and scientific centres, animals strike up the swan song to a world that may never be what it once was.
In the microcosm of an elite Catholic school in Rwanda, the contrasts and hostilities between Hutu and Tutsi that are already deeply rooted in society are mirrored by a group of teenage girls. A literary film adaptation, inspired by the real events that forewarn the genocide of the Rwandan Civil War in 1994.
On the edge of Europe's affluent society, in the middle of the concrete jungle, the paths of Yousef, Chloe and Lorenzo intersect. Three homeless young people who combine their silent longing for security with their loud cry for independence.
Swaggering with the coolness of James Dean, the members of a youthful gang exist in a world virtually without adults. Following their own rules, they search in the middle of nowhere for the artefacts of a lost civilization, until the appearance of a young woman changes everything. A powerful story of liberation reminiscent of “Lord of the Flies”.
What kind of democratic resistance can young people offer in times of burgeoning racism? The filmmaker, who herself was faced with racism as a young woman, pursues the forces of the "Rock against Racism" movement in London in the mid-1970s. A movement embodied by the music of The Clash, Steel Pulse and X-Ray Spex.
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