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Martin Scorsese Masterclass in Cannes

 

 

 

Theoretic Aspectualizing for the Poetic Matter

I prefer my poetic scripts (drama excerpts and allegoric dialogues) in ivrite to my lyric-and-epic poetry in ivrite. However, genre variety is a basic component the poetic structure is comprised of, for my lyrical exerience. The poetic substance depends on genres no less than on stylistic components or grammatics-and-meter. Strophical issues (rhyme, meter) come at a bound with genre prospection. Genres often prescribe the varying meter or, say, the inexact rhyme. The established stensil (pattern) for those matters have a lot to do with practical history of the genre. However, the formal novelty can be still quite obvious against the historical and theoretical background.

Anna Polibina-Polansky. Of My Strofical Experience in Ivrite

About Anna Polibina-Polansky

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