Director: H. Paul Moon.
Hamac Cazíim tells the story of punk rock musicians from an indigenous tribe called the Seri nation, or Comcáac, who are using music to maintain their ancestral language and culture despite a long history of colonialists, missionaries, and modernization. The Comcáac are a nomadic people who live in a place of mystic beauty along the Gulf of California, where the mountains meet the desert meet the sea. Despite this isolation, the problems of modernization—and extinction of sacred animals—threaten their indigenous identity. To fight against these dangers, the band Hamac Cazíim was formed. Converging these themes of music, tribes, and endangered species, the film delivers a tuneful meditation on the universal challenge to preserve native identity, and the power of music to stage that fight.

Director: Saulius Drunga.
Young provincial girl Vilė comes to the big town with ambitions about high education. She tries to find a rented apartment for living and meets boyish looking and wearing a T-Shirt with anarchy sign on it girl Sandra. From her first days in the big town Vilė gets a perfect guide — always strong and optimistic Sandra. Under Sandra’s anarchistic philosophy’s leadership Vilė leisurely throws away her provincial modesty and fears, but incidental meeting with member of big town’s punk community overturn all her new views. Vilė understands that Sandra’s “anarchy” has nothing to do with alternative underground culture…

Director: Lionel Guedj & Stephane Bebert.
Some people’s fates deserved t be known by everyone. Henry Padovani, this Young 24-year old corsican, who arrivedin London in December 1976, is one of them. Actor and witness of a period when the alternative and revolutionary trend, the punk movement, arose, this self-taught guitar player went through the 80’s like a météorite falling from nowhere. From The Police he founded with Stewart Copeland in January 77, until his réunion on stage thirty yearslater in front of 80,000 people, from The Clash to the Sex Pistols, from The Who to The Pretenders, from REM he signedup to Zucchero whom he manages, with everyone, Henry shared a little bit of their music and a lot of their lives. Going back to his London memories, camera in hand, a move guided by a series of improvised sequences, of interviews of some of thèse rock n roll heroes, and of those who were there, more anonymous but just as important, the story of an extraordinary man told in this film, faitfull to his drive for freedom and spontaneity. A man for whom Rock n Roll has always been synonymous of friendship and solidarity. A man who dedicated and keeps on dedicating his life to music, and Rock’n’roll…Of Corse !