Director: Martin DORST.

On a hot afternoon in Tokyo, a foreign business man is on his way to a very important business meeting in Shinjuku. Overloaded with work he tries to be on time, but has to overcome some obstacles. Desperate to make it to the appointment, he hurries at a big street intersection, but someone is stopping him. It is an angel from heaven who forces him to think about his life. After the business man realizes what kind of life he lives and takes first steps to change it, the angel makes his way free for a new future.

Director: Tamar van den Dop.
Through the eye of his camera, Jonathan sees how grown up people deal with the death of his father and say their last goodbyes to him. Maybe he could postpone this farewell

Director: Erik de Goederen.
A nine year old boy (Pepijn Borst) lives in a world which, seen through his eyes, is deeper and more mysterious than a superficial glimpse would suggest. Sometimes the most simple things in life contain sheer beauty and enchantment.
But the boy is lonely too, because he cannot share his experiences with others. Who sees what he sees? Who hears what he hears? And who dreams what he is dreaming?

Director: Gautam Sen.
It was the day of Deepavali, festival of lights… When others were busy in celebrating the sounds and lights of the festival, a girl named Mousumi Ari, of seventeen years of age, was being tortured in her in-laws house. She was murdered eventually. Mousumi hailed from the family of a poor fisherman in Narayanpur village, Kakdwip, 24 Parganas, India and was married to a boy of her village, at the age of barely sixteen. Her father-in-laws, Swadesh Ari was a home guard in the local Kakdwip Police Station. After her marriage she fell prey to the wrath of her in-laws and was subjected to torture regularly. On the day of Deepavali, she was murdered by Swadesh Ari and his family members. The administration not only remained mute. An unholy nexus of the police, hospital-morgue authority and legal administration tried to veil the culprits… to establish the murder as a case of suicide. They wiped out the trace of murder and twisted the events to suite their choice. Apprehending the caucus of some vested interested, Sukumar Sahu, Laxmi Sahu, the parents of Mousumi and their relatives did not cremated the dead body of Mousumi but buried it under the earth in quest of justice. The film depicts the victim’s voice, so far unheard and the experience of the rights activists stood by the side of the victim family…. narrating what happened actually and explores the eventually of Mousumi’s murder.