Venezia Viva e Morta
Mostra Personale di Svetlana Konegen (Treviso - Mosca)
12-22 dicembre 2019 (vernissage: h. 18:30-21:00)
Adda International: via Santa Maria Valle, 4; 20123 Milano
*The Adda River flows in Lombardia
Venice is figuratively of immortal side, but it proves to be versatile and lurking with its bizarre panoramic images invoving the feeling of disparation and death (not only due to the isle of San-Michele)... Peculiar angles of artistic visions are enrolled at a vast panorama of amazing images. The historic chapels, chiesas, dwellings, bridges, piazzas, steeples and palazzos are getting scrupulously revived, by postmodernized vision of an artist. The entire gamma of Venetian viewpoints is being introduced at its solemn identity and incomparable pompous refexivity. The city is famous for its details and well-populized sacredness, and this modern pinacoteca of pictures offers us a rare view of astonishing and breathtaking angles of the architectory subtleness. Brodsky venerated this air of up prayed sacrality and spirit, and his strolls are known for his attentive and refined exalting of sculptures, monuments and bareliefs. Svetlana, formerly, Brodsky's countrman, allows us to encounter those historic images in person, keeping on the genre tradition of venerating the city's piety and up lifted spirituality. Venice comes up in its pictoresque, deceptive-and-indicative, soaring and often personalized strokes (the Viscontis' patio, the Vivaldian chapel, the palazzo of doges, etc.), imperative in its will to create its "ritratto" in time, all anew. A Feature Remark by Anna Polibina-Polansky, a director for poetic films-essays of Venice (Moscow, the year 2020).