The early days of surf in Gipuzkoa, the iconic journey of snowboarder Travis Rice, the psychedelia of the 60s and the awaited story of Bunker Spreckels are among the highlights of the selection
Savage Cinema, San Sebastian Festival’s non-competitive section for adventure and action sports films created in the collaboration with Red Bull Media House, will present in its fourth edition five titles reflecting the cycle’s intention to exhibit works in different genres and subject areas.
The Fourth Phase will see the return of snowboarder Travis Rice and crew to the Velodrome after the world premiere of The Art of Flight 3D in 2012 which planted the seed of Savage Cinema. Using an artistic blend of action, story and cinematography, the film follows Travis Rice on a 16,000 mile journey around the North Pacific, discovering more than new terrain.
The Festival will include the world premiere of Bunker77, a documentary on Bunker Spreckels, Clark Gable´s millionaire step son who wanted to inmortalize his legacy by hiring Craig Stecyk (the ultimate chronicler of the surf and skate Californian culture) and photographer Art Brewer to capture his life. The project ended with his early death at the age of 27. Takuji Masuda reclaims this valuable archives to build up this story which was already published by Taschen in 2007.
The European premiere of Orange Sunshine following its screening at SXSW (Austin, Texas) reflects the section’s predilection for selecting titles where sport is only one element of the story’s social context. This is a documentary by William A. Kirkley narrating the peculiar journey of a group of hippy (and surfer) students who created their own religion in order to change the world by taking and dealing in LSD. Representatives of a new counterculture critical of the consumerism and lifestyle of American society, in the 60s and 70s they became the world’s biggest distributors of acid and hashish.
Surfers’ Blood, by Patrick Trefz, is an amalgamation of short stories by four creators whose influence is key to contemporary surf history. One of them is Patxi Oliden, a 93 year-old inventor and musician from Orio (Basque Country) who blazed the trail well before anyone else to start building affordable surfboards in the 70s, so that the local youngsters could surf when it was still a sport only practiced by foreigners. Thomas Meyerhoffer, Richard Kenvin and Darryl ‘Flea’ Virostko provide the other three testimonies making up the film.
Let´s Be Frank is the true and figurative search by Peter Hamblin for an anonymous South African big wave surfer, Frank James Solomon. An upcoming director who brings in tricks from cinema and advertisement to refresh the conservative surf filmmaking. The friends and family being part in this project are John Florence and Jamie O`Brien.
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12.08.2016 | SanSebastian's blog
Cat. : FILM