TO VIEW WITH IMAGES & LINKS VISIT TINSEL & TINE
Not only was Friday night’s screening of Night Catches Us sold out, but attracted a cool, racial mix of peeps. This Centerpiece screening included a Q & A with writer/director Tanya Hamilton and lead Kerry Washington who looked really chic in her Costello burnt orange dress. Washington was drawn to the film not only because of it’s strong writing, but also the opportunity to humanize an important time period in our history,...
Director: Marcus Palmqvist, Igor Zimmermann, Frode Fjerdingstad.
'La Vitesse Et La Pierre' is an epic short film created with audio and still images. A film about the restrained Iris and the fleeting Bernard and the solitude that unites them.
The filmmakers wanted to make the process into an adventure. The film is shot in Western Sahara, Stockholm, Sweden and Norway. Along the 3000 kilometres, which they drove through West Africa, they slept in the trunk of their car outside deserted towns, burned shoes in the desert and had long discussions with African border police, about whether photography can be art. This was to explain why they had 30 kilograms blue dye in the luggage.
'La Vitesse Et La Pierre' is the result of an experiment that explores the intersection of film and photography.
- The boundaries between the traditional roles of director, photographer and actor in this production are dissolved. The result is a humorous, poetic and highly visual journey.
The 15th Stockholm International Film Festival announced the decisions of the Festival Jury in a special ceremony at the festival close on November 27th. For the first time ever for the festival, a female director received the prestigious Bronze Horse award. Female directors also for the first time were fifty percent in the official selection. The jury included Alexandra Dahlström, acclaimed actress of Lukas Moodysson's Fucking Åmål and Bruce LaBruce, Canadian cult film director whose film Ra...
At this year’s AFI International Film Festival, the so-called“somebodies” like Charlize Theron, Jon Favreau and Sir Ben Kingsleywalked the red carpet while the "nobodies" flanked them famelessly onboth sides. A good image to keep in mind when talking about filmdirector Azazel Jacobs and his recent feature, Nobody Needs toKnow, which screened at the festival as the only US entry in itsInternational Feature Competition. The low-budget film illustrates howour culture can make ordinary people ...
